 Joe College always has done his own thing and always will, industry standards be damned.  So despite dropping a video for a new freestyle about a week ago, he’s back just a week later.  Only instead of a new or even recent joint, he made a video for a song that came out over a year ago.  Nonetheless, it’s still timeless and prevalent so the release still works.  For Ibn has dual functions inasmuch as it reflects on life around Neptune/Asbury Park (although the sentiments can apply to a town near you,) and also serves as a tribute of sorts to an incarcerated friend, hence the title.  Producer Johnny E successfully reworks the beat for DMX’s Slippin’ which is just as effectively somber as it was in 1998.  Qwikavelli continues his hot streak as a director and by the looks of things may never slow down, just like his rapping partner in crime.  Peep For Ibn after the break.
    Joe College always has done his own thing and always will, industry standards be damned.  So despite dropping a video for a new freestyle about a week ago, he’s back just a week later.  Only instead of a new or even recent joint, he made a video for a song that came out over a year ago.  Nonetheless, it’s still timeless and prevalent so the release still works.  For Ibn has dual functions inasmuch as it reflects on life around Neptune/Asbury Park (although the sentiments can apply to a town near you,) and also serves as a tribute of sorts to an incarcerated friend, hence the title.  Producer Johnny E successfully reworks the beat for DMX’s Slippin’ which is just as effectively somber as it was in 1998.  Qwikavelli continues his hot streak as a director and by the looks of things may never slow down, just like his rapping partner in crime.  Peep For Ibn after the break.Nov 20, 2015
 Joe College always has done his own thing and always will, industry standards be damned.  So despite dropping a video for a new freestyle about a week ago, he’s back just a week later.  Only instead of a new or even recent joint, he made a video for a song that came out over a year ago.  Nonetheless, it’s still timeless and prevalent so the release still works.  For Ibn has dual functions inasmuch as it reflects on life around Neptune/Asbury Park (although the sentiments can apply to a town near you,) and also serves as a tribute of sorts to an incarcerated friend, hence the title.  Producer Johnny E successfully reworks the beat for DMX’s Slippin’ which is just as effectively somber as it was in 1998.  Qwikavelli continues his hot streak as a director and by the looks of things may never slow down, just like his rapping partner in crime.  Peep For Ibn after the break.
    Joe College always has done his own thing and always will, industry standards be damned.  So despite dropping a video for a new freestyle about a week ago, he’s back just a week later.  Only instead of a new or even recent joint, he made a video for a song that came out over a year ago.  Nonetheless, it’s still timeless and prevalent so the release still works.  For Ibn has dual functions inasmuch as it reflects on life around Neptune/Asbury Park (although the sentiments can apply to a town near you,) and also serves as a tribute of sorts to an incarcerated friend, hence the title.  Producer Johnny E successfully reworks the beat for DMX’s Slippin’ which is just as effectively somber as it was in 1998.  Qwikavelli continues his hot streak as a director and by the looks of things may never slow down, just like his rapping partner in crime.  Peep For Ibn after the break.
Labels:
Asbury Park,
DMX,
For Ibn,
Joe College,
Johnny E,
Neptune,
Qwikavelli,
Slippin'
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Multimedia Journalist, Founder and Chief Editor of WTM Host of A-Side B-Side Podcast and more. I like to talk about stuff and write it down. Sometimes to a microphone. Either way, I need you to feel this.
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Hi, I'm Jonathan C. Ramsey and I'm the founder/Chief Editor of WTM. I'm a Multi-Media Journalist, On-Air Personality, Disc Jockey, Podcast and Event Host. Most of all I'm a Son, Brother, and Friend. I like to talk about stuff and write it down. Sometimes behind a microphone. Either way, I need you to feel this.

 
 
 
 
 
 
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