Showing posts with label King Kunta. Show all posts
Showing posts with label King Kunta. Show all posts

Apr 14, 2015

@KendrickLamar's #TPAB Review by @Best_ofda_Worst

We all know what Kendrick Lamar is capable of as an artist. I am going to start by saying this: I do not think this album is better than Good Kid MAAD City. That’s the only negative thing I can say about this album. Now that that’s out the way its time to give my feedback on what I like about To Pimp A Butterfly.

I knew I was going to love this album from the moment the beat dropped on track one, Wesley’s Theory. With a feature from George Clinton & Thundercat , this album wasted no time drawing you in with a spellbinding instrumental and equally hypnotizing hook this song is easily one of my favorites on the album. Following up is an interlude/poem called For Free.  The piece is about a man who’s been through too much to continue doing things as favors to people. This is a great set up to King Kunta. Me and Niles touched base on the track here. In addition I feel like Kendrick was channeling his inner Pac with how aggressive he approached in the track.

Let's fast forward a few songs to track six titled U. It hits of close to home for me. The first words are "Loving U is complicated." You feel hurt, guilt and failure to meet the standards and expectations we give ourselves. Sometimes we even feel as though we let family and friends down. That depressing inner demon won't let you forget all the negatives about you. I’d like to imagine Kendrick was looking into a mirror in a hotel room by himself when the concept of this song came to mind. Anyone who's ever internally battled themselves probably fought back a tear or two listening to U. I say this because I've personally come from the same place this song portrays. The only way out of this feeling is to face yourself and believe that all the good about you will come. That leads to a perfect transition into his next song, Alright.

U is great but I'd rather not remember the feeling that comes attached with it (haha). Alright serves as a great pick-me-up from the last depressing a** song. The next track contains the only "real" feature (person with a verse) in Rapsody. The song is titled Complexion. Here she steals this track as her verse is soulful and fits right along with the central theme of the album (poetic blackness). It was pretty tight, and each time I hear it I get more excited to here her voice than Kendrick's. Looking forward I'm excited to hear more from the North Carolina spitter in the near future. The album version of I is better than the single. It's the second deepest track on the whole album. I'd rather not give away too much so listen after the break.

 

The album closes off with Mortal Man. If you haven't heard it already I'll tell you, it's the deepest track on the album. Jonathan breaks down the track here. I serves as a great closing and a tremendous finale to this poetic album we call To Pimp a Butterfly. As Wesley’s Theory drew you in, track after track opened to a new piece of the ongoing poem presented throughout the album. Mortal Man finalizes the poem and puts it all together. You actually find out that the album was really just a conversation between K. Dot and Tupac! After little exchange of question and answer he ends the conversation with one more poem. It leaves the listeners wanting more like "This can't seriously be it. Pac got to have more to say! Kendrick got to have another song! 


I always felt like I knew Kendrick as if he were a personal friend of mine. That's the feeling GKMC gave me. I felt like I was in the van with him or maybe Compton and Rosecrans was a block in my city where I used to hang out. This album made me relate to Kendrick on a more emotional level, I'm glad it happened that way. My favorite tracks were Wesley's Theory, King Kunta, U, Alright  Hood Politics, and How Much a Dollar Cost. It's been so long since I could relate to music in such a way. I don't want to call this album a classic yet because of it's youth and early stages. However I can say I'm happy with this purchase. If you haven't already go grab this album. It's a great buy.

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Apr 2, 2015

Watch: King Kunta - @KendrickLamar

"This is the blackest, most west coast song off the album." Issah Umar

He was right. Kendrick Lamar dropped his latest visual for King Kunta last night. The video and song fit perfect; although if you watched it on mute you would swear this was a Snoop video from the 90s. Throughout the video K. Dot runs the city with the whole crew including Jay Rock. Looks like discount and liquor stores in Englewood to me (I'm flexing because I just got back from LA. I'll be honest). Watch King Kunta by Kendrick Lamar below.

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Mar 17, 2015

Unreleased: Thoughts on King Kunta by @Best_ofda_Worst & @Niles_C

Before the unexpected album release Staff writers Niles and Issah weighed in on King Kunta by Kendrick Lamar. Below are their thoughts:

"When was the last time you heard a funky beat like this!? The first thing that came to mind when this came on was early Snoop because of its use of funk and the way he put his own spin on it. Old school west coast beats are so dope because they provide a great vehicle for rappers. I felt like I was in Compton with the bangers. I got my hat low with my drink in a paper bag while my homies do their walk to the track. I hear is singing along too "Bitch where you when I was walking" Singing and acting a fool. The lyrics and flow are aggressive, this whole time Kendrick is in your face and in ya ear letting you know what's up. This is a dope song for you and the crew to enjoy. This was made for car trips with the crew. When this track comes the squad goes "Oh shit! turn this up!" sorta like when his homies heard that Jeezy "last time I checked I was the man in these streets" Dope track I love it." Issah Umar

"After releasing his socially conscious second single The Blacker The Berry Compton emcee Kendrick Lamar has seen a new song off of his latest album "To Pimp a Butterfly" get released online. King Kunta is truly some classic West Coast shit.  The beat is a mixture of G-Funk (which itself was greatly inspired by Parliament) that became a regional staple in the 90's with "2001" -esque elements.  Throw in some Roger Troutman vocal effects and you have a track that'll be a cookout jam for the coming summer.  I've always been a fan of rappers that paid homage to their regional mores, which is what K. Dot did with this track.  I can't wait to see how it fits into his forthcoming album." Niles Cavanaugh

You seen what they said, check out King Kunta for yourself after the break. Be on the lookout for a review of the album by the staff (after our little competition) very soon. 

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