The piece that brought you all here is back. Album of the Year: The 2017 Edition.
Some years fall short, some blossom. This year was the latter and outstanding for music. Instead of writing a long drawn out piece counting down the top five I enlisted some help for this one. Charles Polk, Kyle Gill and myself give you our pilot episode of A Side/B Side Podcast presented to you by What's The Movement. In this episode we break down the top five hip-hop albums this past year. Same deal as always: Flow, Lyrics, Production, Impact, and uniqueness is how we rate our top five. I won't spill too much. The music in this episode is F*ck 12 by Khalil Jibran. I just need you to feel this. Press play below.
Showing posts with label Rick Ross. Show all posts
Showing posts with label Rick Ross. Show all posts
Jan 12, 2018
A Side B Side Podcast Episode 001 #AOTY2017
In: 4 Your Eyez Only, 4:44, A-Side B-Side By: Jonathan C. RamseyJan 6, 2016
It's July 4th 2013. Jay-Z's brand new album is platinum via a distribution deal with Samsung. Magna Carta Holy Grail did not release until the 8th. How's that for some numbers?
Almost three years later it's safe to say this was a little bit of a flop. 2013 might not have been the best year for rap but picking the best album of the year is often difficult given our (ENTIRE) criteria. It's safe to say this was a very pop, radio heavy album. If Jay is your favorite rapper you'll understand. Jay-Z is at a level it doesn't matter what he releases it WILL go platinum. He's just at that stage of his career. When you're that good you only compare your music to your music. This is near the bottom of the Jay-Z discography stack which says a lot about how good his is. I'm not saying this was complete and utter garbage because otherwise it could not have trumped Nothing Was the Same, Long Live A$AP, Born Sinner and more that released in 2013. It also helps when you have super producers like Timberland, Pharell, No ID and Swizz Beats in your back pocket. Funny enough it was the production of WondaGurl & Travis Scott that produced my favorite jam on there Crowns.
As I said earlier the singles were surperb and good enough to get the nod. After much debate in the studio with Queen, Niles, Issah, and others there was no denying this was the album of 2013. Features from Frank Ocean, Rick Ross, Justin Timberlake, and Mrs. Carter herself put this one out of reach that year. Great album at the time, but really lacking in replay value. Perhaps this is opinionated but really think to yourself, when was the last time you listened to F*ckWithMeYouKnowIGotIt on your own time? Read the original review here.
Continue Reading
Almost three years later it's safe to say this was a little bit of a flop. 2013 might not have been the best year for rap but picking the best album of the year is often difficult given our (ENTIRE) criteria. It's safe to say this was a very pop, radio heavy album. If Jay is your favorite rapper you'll understand. Jay-Z is at a level it doesn't matter what he releases it WILL go platinum. He's just at that stage of his career. When you're that good you only compare your music to your music. This is near the bottom of the Jay-Z discography stack which says a lot about how good his is. I'm not saying this was complete and utter garbage because otherwise it could not have trumped Nothing Was the Same, Long Live A$AP, Born Sinner and more that released in 2013. It also helps when you have super producers like Timberland, Pharell, No ID and Swizz Beats in your back pocket. Funny enough it was the production of WondaGurl & Travis Scott that produced my favorite jam on there Crowns.
As I said earlier the singles were surperb and good enough to get the nod. After much debate in the studio with Queen, Niles, Issah, and others there was no denying this was the album of 2013. Features from Frank Ocean, Rick Ross, Justin Timberlake, and Mrs. Carter herself put this one out of reach that year. Great album at the time, but really lacking in replay value. Perhaps this is opinionated but really think to yourself, when was the last time you listened to F*ckWithMeYouKnowIGotIt on your own time? Read the original review here.
Labels:
2013,
AOTY,
Beyoncè,
CROWNS,
Frank Ocean,
Jay-Z,
Justin Timberlake,
Magna Carta Holy Grail,
No I.D.,
Rick Ross,
Swizz Beats,
Timberland,
Travis Scott,
WondaGurl
Oct 9, 2015
Pain & Perseverance: a mix by @FEELZ_
In: Anderson.Paak, Black Thought, Dr. Dre By: Jonathan C. Ramsey
Pain & Perseverance.I always love any chance I get to write a thought piece. I'm just glad I get to link that with my first love, music. Kafele came to me a few months back asking was I attending the Million Man March. I wasn't sure but he proposed we used our talents to curate a mix for the people. So with this platform and his skills behind the wheels of steel I couldn't refuse. With this mix we'll revisit old jams to contemporary songs that represent our struggle and what it means to be black and in America. So we empty into our nation's capital for the 20th anniversary of the Million Man March enjoy these tunes. Our cries over time have been reprised in protest and also in music. Join us in a trip from Jay-Z and Lupe Fiasco to The Roots and Mos Def. This was an amazing way to combine the two, and as always, Justice or Else! Below is the mix and a track listing containing a synopsis of its relevance to the mix written by Kafele Thomas.
Room 306 - Mickey Factz
"You know we are kings and queens/mistaken for the enemy/You know we will overcome/We won't stop 'til the race is won"
Minority Report – Jay-Z ft. Ne-Yo
“Then it wasn’t on the nightly news no
more/Suddenly, it doesn’t matter to you no more"
Hurricane
Katrina was a tragedy for America as a whole, but especially devastating for
the black citizens of New Orleans. Due to decades of redlining and
discriminatory housing practices, blacks in New Orleans were forced to live in
the lowest lying neighborhoods such as the 9th Ward. When Katrina hit, those
neighborhoods were the hardest hit and unfortunately the least cared for. Media
coverage was specifically naming African American citizens as “looters” and
“refugees”, when they were simply people trying to survive after their
countrymen abandoned them. This built up to Kanye West’s penultimate moment and
one of the most important events in TV history “George Bush doesn’t care about
Black people.” Even though we can all agree “Kingdom Come” was a dud, I think
this is low-key one of Jay’s best tracks. You can hear his pain and disgust.
Hov has never been a rapper who shows his emotion through his rhymes so the
rawness of the track really pops out at you.
Don’t Feel Right – The Roots
“When the fridgerator’s nekkid and the
cupboard’s is bare/People gotta strip nekkid and stick’ em up in the air”
Black Thought
has always been an MC who always is in tune with current events and uses his
music as a social tool. Don’t Feel Right describes one of the biggest issues
affecting the black community – the lack of opportunity. Institutional racism
keeps African-Americans segregated in communities with low property value, a
small amount of jobs, poor schools, and crumbling infrastructure. The old
saying “If I can’t work to make it, I’ll rob to take it” is one of the
unfortunate laws of life in the inner city, which is the story of the next
track…
A Tale of Two Citiez – J. Cole
“I look around like ‘Do you wanna be
another nigga who ain’t ever have things? Guess not/ Last night, we pulled up
on a nigga at the light like../ ‘Nice watch.. Run it."
Cole’s story
shows how “If I can’t work to make it, I’ll rob to take it” sucks all people
forced into these communities to play the game, whether willing participants or
not. Cole tells the story of being broke in the hood and realizing that dire
situations bring out the worst in people. Cole’s boy got jacked for his watch
in the first verse, but by the end of the song Cole and his boys are the ones
pulling the stick up moves, due to a lack of opportunities to get out of the hood
the legal way. The rules of street life are messy and bloody, which in turns
creates the biggest media farce of our time “Black on Black Crime”
Blacker the Berry – Kendrick Lamar
“You sabotaged my community making a
killing/ You made me a killer/ The emancipation of a real nigga”
K. Dot’s
track is raw anger. He lashes out at America for putting the African-American
community in the lose-lose game that it’s in and also his fellow brothers for
perpetuating violence. In the track Kendrick refers to himself as a hypocrite
for being mad at white America at large when black men and women kill each
other every day. “Black on black crime” is a nonsense term that permeates
through society as an excuse for why black people haven’t received our
inalienable rights provided to us by the Constitution. Throughout history,
violent crime often occurs in poor communities and crimes are committed by
those who live in close proximity. Since most black people have been
institutionalized into ghettos via the government and banks via predatory
loans, most violent crime in the inner city is committed by those of the same
racial background. “Black on Black crime” is the same as “White on White
crime”, or “Asian on Asian crime”, but unfortunately, only one ethnic group
gets that tag from the media.
Freedom Ain’t Free – Lupe Fiasco
“Say that we should protest just to
get arrested/ That goes against all my hustlin’ ethics/ A bunch of jail niggas
say that’s highly ineffective/ Depart from Martin/ Connect on Malcolm X tip.”
Lupe’s track that samples the classic Pete Rock jam T.R.O.Y shows how the “American Dream” sold to us is fool’s gold. Not only does it
leave behind many Americans behind, but America is built on resources from poor
countries full of black and brown people via globalization. The realization
that to fund the pockets of the 1%, billions of people are being shut out of
prosperity to keep the machine running is disheartening. This track came out
right after the Occupy Wall Street Movement and showed the violent response by
the police to protesters and the trampling of our rights to assemble. The cold
hard evidence that the powers that be aren’t interested in improve the lives of
many is the root of this track’s feeling of futility and hopelessness.
The Pessimist – Wale ft. J. Cole
“Got a pocket full of lint again, but
it make no difference to me/ Fallin’ out with my friends again, but it makes no
difference to me/ Goddamn, I’m hopeless/ Oh man, I’m hopeless”
The
Pessimist is the build-up of all these issues. The feeling of hopelessness and
despair is soul-crushing. Wale points to how so many different things are
holding him back and not knowing how to find the silver lining. Life as a black
man in America often feels like everyone is aiming at you and trying to kill
you and your success. Your own community might throw shade at you for being one
of the few to make it out of the hood, while you are facing institutional
racism and a lack of acceptance by mainstream America unless you agree to fully
assimilate into their culture. Cole’s line in the hook “still I pray” speaks to
the church as a sanctuary for blacks throughout our history. The ability to
pray for a better day shows our perseverance through all this pain we endure.
Don’t – Juicy J
“They talk about peace/but how that’s
gon’ be/ when police leaving young niggas dead in the street”
Juicy J’s
track Don’t is short, but powerful, especially coming from a supposed
Commercial artist like him. The track speaks to the overflow of anger at police
brutality and how as Martin Luther King Jr. stated “Riot is the language of the
unheard”. In Baltimore, Ferguson, New York, Charleston, Los Angeles, and
countless other cities and towns throughout America, black people are often
looked at as menaces and terrors for how we dress, act, and talk. We’re always
followed in stores, stopped unnecessarily by the police, stared at when we’re
somewhere we’re “not supposed to be”. Our mothers warn us about interactions
with the police every day when we leave the house as children not knowing
whether we’ll make it back in safely. America’s innate fear of the black body
causes tension and hostility that builds up and boils over during these
senseless killings.
Animals – Dr. Dre ft. Anderson.Paak
“Please don’t come around these parts/
And tell us we’re a bunch of animals/ The only time they wanna turn the cameras
on/ Is when we’re fucking shit up”
During the
protests this summer, media coverage and social media was filled with people
from outside the African-American community judging us for our anger. A lot of
these people forget that America was founded off of violent protest (Boston Tea
Party, anyone?). The issues that go on in the inner city aren’t spoken about
and addressed by the mainstream media, but when the riots occurred that was
where all of the media focus was. This only serves to perpetuate the stereotype
of violent scary nature and that an angry black populous is something for White
America to be very afraid of. Most of the media and talking heads, don’t care
about the systemic issues plaguing our community, but are only interested in the
reaction for TV ratings. It speaks to America’s obsession with addressing the symptoms
of the disease of racism, rather than focus on a cure to eradicate it.
Mr. Nigga – Mos Def
“They say they want you successful/
but then they make it stressful/ You start keeping pace/ and they start
changing up the tempo”
Mos Def in
his classic, witty way describes how even when a black man manages to use his
abilities to be one of the few to escape the perils of the ‘hood, he is faced
with a world who doesn’t accept him. If one doesn’t conform to mainstream
America, he is combated with multiple micro-aggressions every single day. From
media persecution, not being able to sit in first class, eat at fancy
restaurants, or drive luxury vehicles without being stared at like you don’t
belong, even with the “American Dream” achieved, we aren’t accepted.
Foreclosures – Rick Ross
“The white man call us stupid niggers/
We spend it all, nothing for our children”
“Foreclosures”
by Rozay is the other side of the tale “Mr. Nigga” told. In the black
community, we have a culture of materialism. Because we’ve never been able to
achieve proper wealth, we spend our money flossing. We take pride in jewelry,
cars, and, clothes more than stocks, bonds, and real estate. Financial education
is severely lacking in our community, so that when we finally do hit our payday
and get money, there’s a good chance that it will disappear just as quickly due
to poor decisions. We’ve all seen the statistics on athletes and musicians
blowing their fortunes. This stops us from building generational wealth that
can further advance our communities.
Murder to Excellence – Jay-Z &
Kanye West
“Only a few blacks, higher I go/
What’s up to Will/ Shoutout to O/ That ain’t enough/ We gon’ need a million
more”
Jay and Ye
dropped a gem speaking of learning to love ourselves and achieve our greatness.
Very few blacks have been able to hit the heights of Jay and Ye and Hov laments
that the more success he achieves, the fewer of his people he sees at that
stature. It really speaks to the exceptionalism that one has to reach to attain
that level of success from one of our communities. Unfortunately, the cards are
stacked against many of us. Many black children are told as kids that we need
to work twice as hard to get half as much, due to the circumstance of the world
we live in. Belief in one’s self and trusting your ability to succeed and
persevere to rise to excellence should be commended.
Alright – Kendrick Lamar
“And we hate po-po/ Wanna kill us dead
in the street fo’ sho’, nigga/ I’m at the preacher’s door/ My knees getting
weak and my gun might blow, but we gon’ be alright”
K. Dot’s
track speaks to the ability to look at the darkness of life, stare it in the
face, and walk boldly ahead. Through all the adversity and pain, we’ve still
managed to accomplish so much. There is a lot to take pride in from our
community. Our culture has persevered through out countless assaults and is a
living, breathing testament to our ability to withstand and remain firm. I left
in Kendrick’s poem because although it’s a personal story, I feel it relates to
all of us in our search for understanding and a place to belong in this world.
Hood Now (Outro) – Lupe Fiasco
“What do you do when it’s so unequal/
Wear Michael Jordan’s with your tuxedo’s/ It’s hood now/ It’s hood now/ Yeah,
yeah it’s hood now”
Lupe’s track is fitting to close with. We’ve
left an undeniable mark on not only pop culture, but America as a whole. Our
ability to make lemonade out of the sourest lemons ever created is to be
celebrated. Although fought a long, exhausting fight.. a fight where we’ve been
knocked down repeatedly, we’ve never been knocked out. We’ve taken haymakers,
got back up, and kept on swinging. Chipping away at the roadblock of racism in
our way with jabs and hooks. Every generation before us has weakened it and
left our mark on this world and it’s our duty to continue the fight.
Mar 24, 2015
Listen: All Falls Down - @Usher & @ChrisBrown
In: All Falls Down, Chris Brown, New Flame By: Jonathan C. Ramsey
Usher and Chris Brown link up again
Last time these two linked up in studio Breezy was on probation and they produced a grammy nominated song in New Flame featuring Rick Ross. Things have changed. This time they slow things down from Pop to R&B on Usher's brand new track All Falls Down. Not sure if we can expect it on the long awaited album from the 36 year-old vocalist. With no further wait, All Falls Down Usher Raymond.
Continue Reading
Last time these two linked up in studio Breezy was on probation and they produced a grammy nominated song in New Flame featuring Rick Ross. Things have changed. This time they slow things down from Pop to R&B on Usher's brand new track All Falls Down. Not sure if we can expect it on the long awaited album from the 36 year-old vocalist. With no further wait, All Falls Down Usher Raymond.
Labels:
All Falls Down,
Chris Brown,
New Flame,
Rick Ross,
Usher
Nov 12, 2014
Listen: Moving Bass - @Rickyrozay - @S_C_
In: Hood Billionare, Jay-Z, Moving Bass By: Jonathan C. Ramsey
Everytime Rick Ross and Jay-Z link up it's always worth the listen.
Worth the listen, and it's always worth talking about as well. Interesting production on this joint. Unfortunately Jigga is only featured on the hook. There's no verse with a plethora of witty wordplay describing his bank account. Sorry. Still dope though. Listen to Moving Bass after the break. Oh yeah, Hood Billionaire is in stores November 24th, stay woke.
Continue Reading
Worth the listen, and it's always worth talking about as well. Interesting production on this joint. Unfortunately Jigga is only featured on the hook. There's no verse with a plethora of witty wordplay describing his bank account. Sorry. Still dope though. Listen to Moving Bass after the break. Oh yeah, Hood Billionaire is in stores November 24th, stay woke.
Labels:
Hood Billionare,
Jay-Z,
Moving Bass,
Rick Ross,
Singles
Sep 30, 2014
Better Late than never.The Bawse, Rick Ross teases us with his brand new single Elvis Presley BLVD which features Project Pat. This is the first single off his next album, Hood Billionare which set to drop Black Friday this year. This will actually be his 2nd album he drops this year which is very impressive. You can listen to the single below via soundcloud or watch the NSFW video on worldstarhiphop.
Labels:
Elvis Presley BLVD,
Hood Billionare,
MMG,
Preview,
Rick Ross,
Videos
Sep 26, 2014
In My Ears: Week of September 21st, 2014
This week has been spent writing and shooting a lot of different stuff. I haven't really spent the time listening to new music except for what's been submitted to me. Well that and these few things that stood out in my earphones this week. Check it out below.
Albums of the Week: Hall of Fame by Big Sean & PARTYNEXTDOOR2 - PARTYNEXTDOOR
It's safe to say Hall of Fame went fairly unnoticed in the hip-hop scene except for the week it dropped. It's really an underrated album. We just spent our time listening to a lot of other dope much last year. Sit and listen to Ashley featuring Miguel, Fire, 10 2 10, Switch Up featuring Common, and of course beware with Jhene Aiko and Lil Wayne. Do it now before you listen to Drake or Hova again.
Most people's complaint about this album is it sounds like one giant song put together. I spent a lot of time in my car, coming back from the bar or a shoot this week. When you're a little turnt (I in no way condone drunk driving so I had a designated driver I promise), this album is pure crack. I revisited it once the Wale remix to Thirsty dropped last week. Go head, grab a beer, a glass of vino and turn the bass on your subwoofer up.
Song on Repeat: Sixteen by Rick Ross featuring Andre 3000
People tend not understand Three stacks when he gets to babbling. Truth is, he's not. he's always telling a story but I guess people take it for a grain of salt. Kinda like that great uncle you have that's always a little too turnt at the family barbecue and when he get finished his two step he reminisce about the good ole days. Oh, and Rick Ross spit fire too. 16 bars, it could never be enough.
Throwback Jawn: Black N Gold by Wale
This song, is straight fuego (spanish for fire) to the ears. I could never get enough of this time. In fact I'm listening to it as I type. There'll be More About Nothing (that's a play on words, just peep WTM tonight) later on today around 8 PM. Stay tuned.
Indie Track: thefeelin by Sir Moore
Rounding out what I've been listening to this week is Sir Moore. His second project dropped last week and it's definitely been on repeat. thefeelin samples the classic Sexual Healing, and everyone needs a little Marvin Gaye. Great production, tight lyrics equals great song. Want my full opinion on this, read WTM review of summerDAZE.
Jul 14, 2014
Ab Soul - "These Days" album review by Niles Cavanaugh
In: Ab-Soul, Action Bronson, Asaad By: Jonathan C. Ramsey
So this is how I had an existential crisis while attempting to review Ab-Soul's newest album These Days... for the past couple of weeks.
Going even further back, I was always intrigued by the idea of Ab-Soul as an MC. I caught onto him around the time his second independent album Control System was released. That had a number of good songs, but my mind was blown at the lyrical dexterity he showed on the track ILLuminate. I was slightly disappointed when I didn't get that same feeling with the rest of the album. It was solid, but not captivating. It's also worth mentioning that the four members of TDE supergroup Black Hippy each have their own shtick of sorts. Kendrick Lamar is the regular kid in a violent environment. ScHoolboy Q is the former gangster turned party animal. Jay Rock is the (still active?) gangbanger that can be found in all red. Soulo's thing is apparently conspiracy theories and skepticism heightened by marijuanna and DMT. I personally aren't into conspiracy theories so some of the themes used in his lyrics generally won't connect with me. I also wanted to hear him over more varied beats, as he falls into the modern-day hip-hop pit of using trap beats (almost think dark synths and that ever-present snare drum) but with much more lyrical skill and varied content than your average trap rapper.
So coming into These Days... I was cautiously expecting progression and grown from the Carson, CA spitter. Maybe turn down the almost paranoid theories in his lyrics while simultaneously turning up a more varied beat selection. And it started off well enough. It opened with God's Reign featuring TDE's first lady SZA on a hook that's hauntingly lovely. Soul was very introspective lyrically and clearly wanted to set the tone early. This was easily one of my favorite tracks.
Then we run into a conundrum that has been brought into the world by the advent of social media and new promotion tactics. The next three songs Tree of Life, Hunnid Stax and Dub Sac had already been released via TDE's SoundCloud in previous months. Hunnid Stax featuring label mate ScHoolboy Q, was released fairly recently as a way to get people hyped for the album. The other two were posted months ago. While still all solid tracks, it just feels like they copied and pasted songs onto the album in a rush to get it out. I've said it before and I'll say it again, if you hear too many songs on an album before it drops, it changes how you process the overall project. So even if these three songs were all good, I still got a "been here before" type of vibe.
The next song is actually new and one of the best of the album. World Runners has Soulo channeling his inner Kid Cudi with a spacey vibe, albeit with more rapping. It also features a surprising Lupe Fiasco and his frequent collaborator Nikki Jean on backup vocals. Unfortunately the next three songs are lame. Nevermind That features some dope guitar work on the beat but also is very MMG-centric, even featuring the disgustingly over saturated Rick Ross. TWACT is a party jam featuring a DJ Mustard beat that I think is mediocre. Just Have Fun is the best of the three, a trippy drug journey, but it's still underwhelming. It's like we had to pay for the quality of World Runners with three subpar tracks in a row, as is the industry. Kendrick Lamar's Interlude features a similar jazzy beat by Terrace Martin which is bogarted by K Dot, hence the title. It's companion piece to Ab-Soul's Outro on Kendrick's Section 80 a few years back. THIS IS THE TYPE OF BEAT I WANT TO HEAR SOULO ON!!! It's outside the box and old school. I feel he could have a West Coast rakim-lite type of career if he went more down this route. This is one of my favorites. It's followed by the somber yet spectacular Closure which has Soulo singing for the most part and assisted by Jhene Aiko. I'm not mad at this instance of rapper singing at all. A very necessary change of pace type of track which is followed by Sapiosexual produced by J. Cole. This song was made for the clubs and radio and it shows. Hard. Not amazing. It then flows into another exceptional yet previously heard track Stigmata that has one of my new favorite MC's Action Bronson and also Asaad. It's heavily influenced by The Cross by Nas, although more layered instrumentally. I almost don't care that this song was released already, I still love it. Feelin' Us includes a very smooth vibe and a Jay Rock sighting (or hearing for that matter), which is always welcome. RaVaughn (Ne-Yo's latest Motown and Compound Ent. Signee) sings the hook which adds to the cooled out ambiance of the song. Easily one of the tops songs on the album and also a candidate for a single & video. Ride Slow is the penultimate song, a "spooky," as Soul puts it, song that also includes Danny Brown and Delusional Thomas. At over seven minutes long, it's bloated but still solid if you can sit through it. Speaking of bloated, the album concludes with W.R.O.H. which clocks in at 23 minutes. It's actually a misleading time since it contains a song of regular length that serves as a good finale. it then goes silent and leads to a recorded battle of sorts against Daylyt. This could have easily been a bonus track on a deluxe version or something and doesn't serve much purpose here. I wasn't all that interested in it in the grand scheme of things but it was kinda cool.
So, Ab-Soul delivered a solid album. One thing you'll notice is this album has A LOT of features. I feel like Soulo is good to the point where he doesn't really need that many guest artists. That seems to come with the territory of most modern-day hip-hop albums on major labels. My main conflict is this: Ab-Soul is extremely skilled and talented. Some say he's the best on his label, but around 60% of the time when I hear his own songs, I can't help but want more. I kinda got what I wished for on this album lyrically at least. He stepped away from the conspiracy theories a little bit and made an album that was lighter on terms of lyrical content at least by his standards. I couldn't help but feel sometimes he was trying to somewhat replicate ScHoolboy Q's vibe in hopes of reaching the same (commercial) success. That doesn't necessarliy work because like I said before. These are two different MCs with two different personalities, but what if this was just another side of Ab-Soul that we haven't seen previously? Additionally, I always griped about his selection of the same type of trap-ish beats. I hoped to hear him on more jazz-inspired or sample-heavy beats, but what if that's not him? What if he's doing exactly what is right for his skill set and abilities as an artist and I'm constantly wanting Soulo to fit into my criteria for what a dope MC is? Yeesh. Anyway this is a good album. Not spectacular, and too many cooks can spoil the broth sometimes in terms of guest appearances, but this is a good step forward and knowing Ab-Soul, he can build from this and continue to grow.
Rating: 3.85 out of 5.
Continue Reading
Going even further back, I was always intrigued by the idea of Ab-Soul as an MC. I caught onto him around the time his second independent album Control System was released. That had a number of good songs, but my mind was blown at the lyrical dexterity he showed on the track ILLuminate. I was slightly disappointed when I didn't get that same feeling with the rest of the album. It was solid, but not captivating. It's also worth mentioning that the four members of TDE supergroup Black Hippy each have their own shtick of sorts. Kendrick Lamar is the regular kid in a violent environment. ScHoolboy Q is the former gangster turned party animal. Jay Rock is the (still active?) gangbanger that can be found in all red. Soulo's thing is apparently conspiracy theories and skepticism heightened by marijuanna and DMT. I personally aren't into conspiracy theories so some of the themes used in his lyrics generally won't connect with me. I also wanted to hear him over more varied beats, as he falls into the modern-day hip-hop pit of using trap beats (almost think dark synths and that ever-present snare drum) but with much more lyrical skill and varied content than your average trap rapper.
So coming into These Days... I was cautiously expecting progression and grown from the Carson, CA spitter. Maybe turn down the almost paranoid theories in his lyrics while simultaneously turning up a more varied beat selection. And it started off well enough. It opened with God's Reign featuring TDE's first lady SZA on a hook that's hauntingly lovely. Soul was very introspective lyrically and clearly wanted to set the tone early. This was easily one of my favorite tracks.
Then we run into a conundrum that has been brought into the world by the advent of social media and new promotion tactics. The next three songs Tree of Life, Hunnid Stax and Dub Sac had already been released via TDE's SoundCloud in previous months. Hunnid Stax featuring label mate ScHoolboy Q, was released fairly recently as a way to get people hyped for the album. The other two were posted months ago. While still all solid tracks, it just feels like they copied and pasted songs onto the album in a rush to get it out. I've said it before and I'll say it again, if you hear too many songs on an album before it drops, it changes how you process the overall project. So even if these three songs were all good, I still got a "been here before" type of vibe.
The next song is actually new and one of the best of the album. World Runners has Soulo channeling his inner Kid Cudi with a spacey vibe, albeit with more rapping. It also features a surprising Lupe Fiasco and his frequent collaborator Nikki Jean on backup vocals. Unfortunately the next three songs are lame. Nevermind That features some dope guitar work on the beat but also is very MMG-centric, even featuring the disgustingly over saturated Rick Ross. TWACT is a party jam featuring a DJ Mustard beat that I think is mediocre. Just Have Fun is the best of the three, a trippy drug journey, but it's still underwhelming. It's like we had to pay for the quality of World Runners with three subpar tracks in a row, as is the industry. Kendrick Lamar's Interlude features a similar jazzy beat by Terrace Martin which is bogarted by K Dot, hence the title. It's companion piece to Ab-Soul's Outro on Kendrick's Section 80 a few years back. THIS IS THE TYPE OF BEAT I WANT TO HEAR SOULO ON!!! It's outside the box and old school. I feel he could have a West Coast rakim-lite type of career if he went more down this route. This is one of my favorites. It's followed by the somber yet spectacular Closure which has Soulo singing for the most part and assisted by Jhene Aiko. I'm not mad at this instance of rapper singing at all. A very necessary change of pace type of track which is followed by Sapiosexual produced by J. Cole. This song was made for the clubs and radio and it shows. Hard. Not amazing. It then flows into another exceptional yet previously heard track Stigmata that has one of my new favorite MC's Action Bronson and also Asaad. It's heavily influenced by The Cross by Nas, although more layered instrumentally. I almost don't care that this song was released already, I still love it. Feelin' Us includes a very smooth vibe and a Jay Rock sighting (or hearing for that matter), which is always welcome. RaVaughn (Ne-Yo's latest Motown and Compound Ent. Signee) sings the hook which adds to the cooled out ambiance of the song. Easily one of the tops songs on the album and also a candidate for a single & video. Ride Slow is the penultimate song, a "spooky," as Soul puts it, song that also includes Danny Brown and Delusional Thomas. At over seven minutes long, it's bloated but still solid if you can sit through it. Speaking of bloated, the album concludes with W.R.O.H. which clocks in at 23 minutes. It's actually a misleading time since it contains a song of regular length that serves as a good finale. it then goes silent and leads to a recorded battle of sorts against Daylyt. This could have easily been a bonus track on a deluxe version or something and doesn't serve much purpose here. I wasn't all that interested in it in the grand scheme of things but it was kinda cool.
So, Ab-Soul delivered a solid album. One thing you'll notice is this album has A LOT of features. I feel like Soulo is good to the point where he doesn't really need that many guest artists. That seems to come with the territory of most modern-day hip-hop albums on major labels. My main conflict is this: Ab-Soul is extremely skilled and talented. Some say he's the best on his label, but around 60% of the time when I hear his own songs, I can't help but want more. I kinda got what I wished for on this album lyrically at least. He stepped away from the conspiracy theories a little bit and made an album that was lighter on terms of lyrical content at least by his standards. I couldn't help but feel sometimes he was trying to somewhat replicate ScHoolboy Q's vibe in hopes of reaching the same (commercial) success. That doesn't necessarliy work because like I said before. These are two different MCs with two different personalities, but what if this was just another side of Ab-Soul that we haven't seen previously? Additionally, I always griped about his selection of the same type of trap-ish beats. I hoped to hear him on more jazz-inspired or sample-heavy beats, but what if that's not him? What if he's doing exactly what is right for his skill set and abilities as an artist and I'm constantly wanting Soulo to fit into my criteria for what a dope MC is? Yeesh. Anyway this is a good album. Not spectacular, and too many cooks can spoil the broth sometimes in terms of guest appearances, but this is a good step forward and knowing Ab-Soul, he can build from this and continue to grow.
Rating: 3.85 out of 5.
Subscribe to:
Posts (Atom)
About WTM
Music, Culture, & all things moving in New Jersey & beyond. What's the Movement began as a college radio show and small music blog hosted on tumblr. It's evolved into a multi-media music discovery platform currently hosting our branded Podcast and other programs. This is the filter for the masses.
Popular Posts
-
If this is your first time hearing the name A-F-R-O, I am delighted to be the one to introduce you. Last thursday, on July 14th, west co...
-
I tend to be Uncle Scrooge when it comes to holiday music. What can I say I work retail and it gets to you. However I didn't feel that...
-
I’m not sure a rapper has had a rise quite as meteoric and important as Westside Gunn . Hailing from Buffalo in upstate New York, he’s bee...
-
Anticipation is a muhfucka. In the time of instant gratification and surprise late night album releases, people will clamor even more for...
-
dit By now you’ve heard that Frank Ocean has once again let a (reported) release date for his astronomically anticipated sophomore album ...
-
I am happy to say that we are the ones premiering this brand new video on What's the Movement. Meet A.R. Rick , a spitter from the M...
-
Bairi takes to Audiomack studios for a new arrangement of her hit single, Paraíso . The song we know as an upbeat anthem celebrating hersel...
-
Using Hip -Hop to Wake Up Kids in the Hood an Op-Ed by Nick Westbrooks Over the past four years, I’ve taught at two high schools in N...
-
This topic has been on my mind for a bit now. Often times people ask me for my opinion on their music, I'm still trying to figure out ...
-
In the forth episode of Volume 2 of A-Side B-Side Podcast, Ramsey sits down with Maxx Kenif . The duo talk about his new project, North Coun...
About The Editor
Hi, I'm Jonathan C. Ramsey and I'm the founder/Chief Editor of WTM. I'm a Multi-Media Journalist, On-Air Personality, Disc Jockey, Podcast and Event Host. Most of all I'm a Son, Brother, and Friend. I like to talk about stuff and write it down. Sometimes behind a microphone. Either way, I need you to feel this.


