Showing posts with label J. Cole. Show all posts
Showing posts with label J. Cole. Show all posts

Mar 1, 2018

Abolish the Femcee by @RamseySaidWHAT

Happy Women's History month! Awhile back, I scrolled through my twitter TL and saw a couple gems in my likes. Among the gems was a particular set of viral tweets by famous people. Let's just say it stirred my creative stew and this article was conceived.

In 5 Reasons Your Local Rapper's Album Flopped, I briefly talked about burning bridges while you still need people. It's true, there's no need to create enemies. There's one thing guaranteed to accompany success, hate. Since there's always going to be people rooting for your demise you don't need to add to the list, especially when the aforementioned hate is shortly on the way.

Okay, let's get to the meat of this article. Abolish the Femcee. The week of September 25th, 2017 was a special one in hip hop. It was the first time in years a rapper of the female gender topped the Billboard Charts.


Cardi B's Bodak Yellow was on top. Whether that's your mug of earl grey tea or Hennessy in a red cup, the song was what it was: a banger (it still is). That was the first time since Lauryn Hill that this feat was accomplished by a lady. In that same week, Rapsody had also dropped her second full length, Laila's Wisdom. If Crown was excellent, the second album was magnificent. I remember sitting in a Barnes and Noble trying to pay attention to a new book sipping a tall maple pecan frappe. I imagine I startled the elderly couple staring at me because I kept grunting making ugly faces because of the sixteens dished by the Snow Hill native. It's safe to say I didn't get far into the novel I was reading because I was hooked on that project. I mean really, she's a superb emcee that doesn't need to sell sex (sidebar, she is one of the most humble artists I've ever met and she told me she liked my fedora once). I decided to see if the streets were talking about Rapsody too. Scrolling along I saw a tweet 9th Wonder reposted to his timeline.
You know what all the aforementioned artists have in common? I'll give you a hint: it's not their ovaries, but they are all Grammy Nominated Musicians. That is the words that should come before their surname, not female rapper. The moral of this story is there is plenty of room at the table for everyone to eat. No crabs in a barrel metaphor here, let's do the right thing. Thus I hate the word femcee or female rapper. Sure I'm an equity feminist or whatever but we time and time again say "(insert rapper here) is just as good as all the men in the game." If the men are compared to other men and the need to establish their gender wasn't necessary why should we split the genders. That week I remember with the exception of crazy a** Azealia Banks, the ladies of hip hop really embraced Cardi B's success. From Nicki Minaj to Missy Elliot, they all shared genuine joy. Even Taylor Swift had a nice gesture (not that that really matters). As seclusive as he is J. Cole even logged some tweets of advice to the NY upstart. Long story short they all did it because we have to in this culture. We shun and segregate each other on a daily.

Imagine we lived in a less patriarchal society. One were the genre wasn't as deeply rooted in the fallacies as well. Let's face it rap has been degrading women from jump street and that was long before the Tip Drill video. I'll stop there because that's an entire 5 page chapter in my senior thesis. I'm sorry this seems like an essay from my Women's Studies classes. I probably should have left this to one of the female authors of WTM to write, but here's my male perspective: Over and over as men we have this narrative of, "We gotta do better." I'm sure the ladies are tired of hearing it. Let's stop talking about it. Let's just do it. Instead of conditioning ourselves to only support lady rappers one at a time listen to them all. Abolish the Femcee isn't to separate them but for acknowledgement. So from yesterday on, they aren't female rappers. They are just rappers, and in most cases, waaaaay better than your favorite (your fave could never, right?).

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Jan 12, 2018

A Side B Side Podcast Episode 001 #AOTY2017

The piece that brought you all here is back. Album of the Year: The 2017 Edition.

Some years fall short, some blossom. This year was the latter and outstanding for music. Instead of writing a long drawn out piece counting down the top five I enlisted some help for this one. Charles Polk, Kyle Gill and myself give you our pilot episode of A Side/B Side Podcast presented to you by What's The Movement. In this episode we break down the top five hip-hop albums this past year. Same deal as always: Flow, Lyrics, Production, Impact, and uniqueness is how we rate our top five. I won't spill too much. The music in this episode is F*ck 12 by Khalil Jibran. I just need you to feel this. Press play below.

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Mar 16, 2016

Editorial Review: Too High to Riot - @FiendBassy

It was ridiculous what happened to my mentions that day. The Fiends and Dreamville fans went off so much I had to put my phone on silent for 3 hours until I could swipe all my notifications away. That was the beginning. At the time I only heard Lit and the songs he's featured on any J. Cole project. I always liked the artists that engage with their fans. I was all in after that. We're now at his sophomore album so when I first caught work of Too High to Riot I was excited. I didn't wanna catch on too late like I did Omen's Elephant Eyes. Here we are, a couple weeks later and a review for you all to read. Let's get to it.

Too High to Riot takes us on a journey of different moods and feelings. It does much for the people who know nothing about Bas. He takes us through the highs and lows of his life thusfar. Maybe I'm wrong but that's just what I felt. Self title sets the mood. I love the musicality of this song. From percussion to keys and horns mixed with choral vocals and synths it was excellent. Bas is one of those artists if you don't listen closely you'll miss something. If you didn't know ahead of time he's a kid from Queens NYC. I understand Queens is more gentrified than ever before but he's no stranger to the ways of the world. Methylone is one of the lead singles that follows up. "Never slow to know your pain. I'll be back before you know it. Left the town a drug dealer came back a f*ckin poet lemme grow." Bas really stays well knit with the rest of his crew and includes a sick verse from Cozz on Dopamine. This track was produced by their tour manager Ron Gilmore. Gilmore has credits on most of the tracks on this project including the next song, Housewives. The single still holds replay value even if it came out an entire project heard months ago. It's interesting getting used to hearing a specific song after that and something else comes. Sonically I'm used to hearing Caged Bird after than Miles and Miles. Kaleb Rollins lays mellow vocals on this chill track. This is the beginning of the climax of the album where the mood stays here for a few songs. Live For gets deep and shows us how he is handling his family life and this new fame. Clouds Never Get Old picks up the musical pace but subject matter stays similar. "Best Pick Up line is 'Young N*gga with money.'" This track fades directly into Matches, no skip button or turntable necessary. I'm a fan of audio crossfades, it shows some parts of the project were intricate. Matches features the talents of The Hics. I remember Bas's interview on the Rap Radar Podcast explaining his relationship with the English Electric and Folk band. Hip-Hop is the genre that meshes with everything and I love it. Matches is easily my favorite album cut.


Night Job featuring J. Cole is another single we previously heard on Revenge of the Dreamers II. Last week he dropped visuals with the album premiere, well played. The Hics make another appearance on a slower moodier Ricochet. It's slow but the percussions added give the song a complex twist that you can't help but bop your head to. Another great crossfade sends us to Penthouse. Together with Ricochet it all sounds like the same song like this is an upbeat version of the former the way Timbo has trademarked that sound. The album closes out with Black Owned Business which is mixed by Ali. I like the way this song is layered and produced. If the album is Bas explaining how fame works, this is the song that explains how he personally is coming to grips with the changes. It's all just a combination of new family struggles, old friends, a mass of women, and a little vanity. Either way, Bas is probably too high to do more than rap about it.

I had a a couple critiques on Too High to Riot. Housewives and Night Job were used as the lead singles. They were already on Revenge of the Dreamers II. In the week preceding to the album release he debuted Metholyne and Matches on soundcloud as well. It's cool to have a few giveaways for the fans to indulge but if we hear too much ahead of time you can lose the ear of your core listeners. Either way they fit the concept scheme he was going for. I don't really understand why he made himself so readily available for consumption but then I'm no marketer. There's clearly a plan here if he's selling it on iTunes and posting the entire project on soundcloud. I think it didn't hurt too bad it's just confusing from a listener's standpoint. Still you all need to listen to Bas and get hip to the ENTIRE Dreamville clan, but you knew that already. My favorite tracks were Dopamine, Methylone, Matches, and Night Job. Too High to Riot gets a 3.87 on Ramsey's Rating Scale.

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Mar 10, 2016

Watch: Night Job - @FiendBassy feat @JColeNC

"I'm on my night job, finally got Bassy off the corner. '010 n*ggas thought he was a gonner."

A couple days ago Bas released his sophmore project, Too High to Riot. The days leading into the premiere he'd release some new tracks on his soundcloud ahead of time. However we heard Night Job featuring J. Cole on the Revenge of the Dreamers II album. Hand in hand with the project Bas released the video with his labelhead. Lookout for the review soon but in the meantime check out these new visuals from the fiend.

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Jan 27, 2016

Editorial Review: Elephant Eyes - @Omen

Chi-town's Omen shakes up the game with his latest solo offering, Elephant Eyes

We already know he's signed to J. Cole's Dreamville label and been featured on a lot of Cole's earlier work. After all this time, Elephant Eyes is his first studio album. The project covers a lot of themes we all could relate to. Young brother with Daddy issues journeys through a life headed for stardom. How does it effect him or the people around him? How's the love life? How does he fit in our generation? Is he going to be great or just another piece to a bigger star's puzzle? Let's get to it.

In my opinion, Elephant Eyes doesn't really kick into the swing of things until track four. Every track has a theme and is essential for the story, but it's really just built up to the climax where he really debuts his skills. Omen really spends his time in Elephant Eyes trying to find his place in this hip-hop world.

Motion Picture kicks things off. His own produced track paints Omen in a bar reflecting. It's safe to say that is the setting of the entire project. Love Drug breaks down the story of the millenial. We've become the "show and tell" generation as my mother says. There's no mystery to us because we has a sick addiction to social media. Omen isn't afraid to attack our abuse of attention. CJ Hamilton talks his sh*t off the hooks. He represents the vanity of the young boys and girls of today. His twitter name at the end of the song is sad but true. Hilarious nonetheless.


Same Jezebel. One verse. One bridge. One hook. Not much to love or hate here. A place holder that's too long to be an interlude. The self title comes next. They say elephants remember everything, so does Omen. He recalls a past love and explains why they didn't work and how she calls him elephant eyes, rough breakup too. There's a skit at the end of the song that leads into Father Figure. I broke down the song in my editor's picks a few weeks ago. Same plight of a lot of young brothers without their father in their lives. It's kind of reminiscent to J. Cole's Breakdown from the Sideline Story.

One of my favorite projects on the album is Sketches of Paranoia featuring Bas. A little bit before listening to the album I watching Omen, Bas, and Cozz on Hot 97's Ebro in the Morning. They talked about their perspective careers and how most of their production and features were in house. That explains why he chose to keep his labelmate on this song. Omen talks about trying to remain humble in his new found stardom, while battling his vices. Bas joins with a story about a man in jail and his relationship with his son.

A rap album isn't complete without a collaboration with an R&B singer. Sweat it Out enlists the talents of labelmate Ari Lennox. This slow jam samples the string section and chorus from Justin Timberlake's Set the Mood Interlude from FutureSex/LoveSounds. Her voice is so unique to me. It sounds different on every song but she really just sounds like her. Zuri said she heard an Erykah Badu influence on Backseat. I can hear hints of that in this song too. Omen's verses tell a tale of lusting for a girl that isn't his. It happens sometimes (but I wouldn't know anything about that).

The next track Foolish Pride takes us from calm, cool, collected Omen and his childhood transition to who he is today. Not exactly a troubled kid but a tested one. Anyone who's transferred to a new school knows the anxiety that follows. It's short but essentially it's a reprise of his verse on J. Cole's Enchanted on Friday Night Lights. The song is followed by a monologue from Rocky Balboa and an interaction with his son and living in his father's legacy. The skit is tailor-made for the next song Big Shadows. He's essentially just a young emcee who came up with J. Cole and doesn't want to be seen as his protege. Ironic because J. Cole is featured on the next song, Things Change. The Ron Gilmore production serves as another climatic point in Elephant Eyes. The duo transcribe their rise to fame and how it effects the women in their lives. I love this beat. It's so smooth, but still upbeat. This is great song to ride on the parkway, run on the treadmill, or mediate with. The project concludes with Zion. Like the sample from Lauryn Hill, Omen pays tribute to his love on this track. This man on the road isn't afraid to settle down. "Nothin' makes a man feel better than a women. Nothin' make a man feel better than a Queen with a crown that be down for whatever."

I really like Omen. His skills as an emcee and producer are really polished. He does a great job manipulating his voice with the melody of the music from his singing on the hooks even down to his outright rap verses. Although he's a name we are just now starting to hear on the grand scheme of things he's been around for a long time dating back to features on The Warm Up. As Dreamville grows I expect to see growth from Omen too. Elephant Eyes took a little bit to kick up but like wine all good things are worth the wait. Elephant Eyes gets 4 of 5 stars on the Ramsey Rating Scale. My favorite songs are Sketches of Paranoia, Sweat it Out, Zion, and Things Change. There are only about two skips but even they serve a purpose. The second part of the album holds the bulk of the meat in this sandwich. Listen to Elephant Eyes after the break.

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Jan 14, 2016

Listen: Big Shadows - @Omen

I most definitely dropped the ball by missing Elephant Eyes, Omen's debut album in July 2015.

After listening to Revenge of the Dreamers II, I most definitely had to take the trip back in time to Omen's project. J. Cole does a great job of not stepping on toes and providing the platform for his artists to shine on their own. Omen has been in the picture for a long time dating back to The Come Up days and earlier than that. However, he doesn't wanna be seen as Cole's protege. He scripts that tale in his song, Big Shadows. "Remember Spliff Star? remember Memphis Bleek? remember all them side kicks that ain't what's meant for me" Listen to Omen shine on his own below. You can expect a review of Elephant Eyes in the near future.

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Jan 7, 2016

AOTY 2014 Review - 2014 Forest Hills Drive - @JColeNC

It's December 2014. Time is winding down and my staff is getting our album of the year lists together and boom! J. Cole announces his album, 2014 Forest Hills Drive is dropping in two weeks.

No lead singles, no features and still went platinum. No one has been able to do that since Nas in the 90's. The hype for the Born Sinner follow up was immense. We only got a few loosies and give away a after that project. He then performs on Letterman and performs an impactful new song, Be Free. I think it was deep that he played this in light of what was going on rather than a single from his album on the Late Show.



Let's get into the music. The Intro reminds me of Be Free. Sonically the keys provide a similar ambiance and he beckons to his people with the same question, "Do you wanna be free?" It transitions to the official first track, January 28th. This serves as the musical introduction. Verse one tackles his growth in the industry, verse two goes full circle and how he's touched by what was going on in Ferguson, MO at the time. The meat of the album comes next. Wet Dreamz I remember talking about how he painted another story we could all relate to in losing our "V card" in high school. The story telling continues in 03' Adolescence. A Tale of 2 Citez is next. I love everything about this song musically and the delivery is perfect. The beat is boom-bap but still something gritty enough the trap lovers can get down with. His flow leading to and on the hook was so tough. I'd go to another Cole concert just to see this song performed live. I also love the choral singing the bridge at the outro with him, clever.

Fire Squad is another radio jam that gets deep in the third verse about white privilege in the hip-hop community. He even name drops Timberlake, Eminem, Iggy, and Macklemore. "All good jokes contain true sh*t," Indeed. I like what Logic had to say about it especially because like J. Cole he is the product of mulatto parents. St. Tropez is still in my rotation a year later. It uses the same sample Mobb Deep used from an old Ester Phillips song in 1971. This song changes the mood of the album, really smooth, really chill. His message is about climbing up in the industry comparing St Tropez, France to Hollywood, CA. This isn't the first time he voiced his opinion on how fake Los Angeles is, remember LAnd of the Snakes? The sound changes but the theme stays the same in G.O.M.D. I don't think I understood this until now as I type. He's always explained his concerns on the mainstream. He let Nas down to make a good record and get heard. Whenever he does that he refers to himself as Hollywood Cole as he does on this song. It's funny because it's an oxymoron. The song is definitely a radio hit and bouncy like Big Sean's IDFWU. Whether I was thinking too deep or it flew over my head it's genius. Even the video paints a tale of how the people react to his plans, this time in the 1800's. The lyrics just show a more arrogant Cole talking about commercial music. It's pretty deep. To fully understand I think he threw in a curve ball with the words "The make/break up." Listen again for yourself. No Role Modelz is another song about the women from the city of angels and how to handle them. It's simple, no one likes a captain save-a-hoe. The personification and tribute to James Avery from the fresh prince was dope. Especially thinking back to Breakdown on his first album. Fast forward to his first official single after the album dropped, Apparently. As far as production on the entire album, J. Cole really took a liking to playing the keys more than usual. Omen, Vinylz, Cardiak and others threw some assists in that aspect as well.

All in all as I think it takes a little bit of time to take Cole in. Everytime you listen you hear something you may have missed even if you know all the lyrics. Perhaps that's why last year Cole was our split decision AOTY winner. I just needed more time to really get it rather than the two weeks before year's end. It's funny because in that review I rated his album higher (4.79 of 5 Stars) than the actual winner. Before Forest Hills, I complained Cole was telling the same story. I'm mullato, I graduated, I want Jay's spot. I didn't realize it took all of those stories to continue painting the grand picture, and it's still being painted. First to third album he's really grown and the fans have right with him. I really believe if one sample didn't get cleared and the album dropped three weeks later, we'd have a different AOTY for 2015. I guess that's why it sparked the Kendrick/Cole argument we've had all year. Read the original AOTY 2014 Review here.

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Dec 11, 2015

Listen: Caged Bird - @JColeNC & @Omen

In case you've lived under a rock J. Cole's Dreamville dropped their new EP, Revenge of the Dreamers II.

Many didn't hear the first but I was one of few who was smart enough to listen. Since then the group has shown a lot of growth as a collective. J. Cole has done well compiling a group of people into a great unit, and trust me I know how hard that is. Many have heard of Bas, Cozz and Ari Lennox but the others are growing their voice respectively. My favorite of the tape is Caged Bird by Cole himself with an assist from Omen. The song has a super chill smooth beat and kinda reminisces to the classic Maya Angelo poem and Nina Simone song. Listen to that below after the break. Sidebar, yall did Steve Francis dirty in that album artwork.


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Nov 30, 2015

Listen: Black Friday - @JColeNC & @KendrickLamar

With all the chaos that was the music industry this past weekend J. Cole and Kendrick Lamar still found a way to steal the show.

The duo's mixtape together have been rumors for a long time now. To be perfectly honest I figured they did more work together than Hiiipower, the Jig is Up, and Forbidden Fruit. I just never thought it'd actually see the light of day. Kendrick freestyled a remix to J. Cole's A Tale of Two Citez and Cole adds his own twist to Alright by the former. So the union of Dreamville and TDE is actually happening, when is the real question. J. Cole might have leaked the answer...

"But this February, bet shit get scary when I fuck around and drop…" bleep*

I guess we'll have to wait and see. Until then we've been blessed with enough music to last us til then. Listen to the Black Friday remixes by J. Cole and Kendrick Lamar after the break.

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Oct 27, 2015

#RoyalThrone Review: EraNu - @TheRealTyJack

Ty Jackson latest project EraNu is filled with heart filled lyrics, and silky vocals.

He has a soulful, smooth voice reminiscent of the days when Neo-Soul ruled the airways. He sings about some of the stages of love. From feeling that this person is the one, that this love is real. To singing about moving on from a love that has run its course. 

The tape opens up with a self title. Soulfull narrates where most of the actually music is is just scats and humming vocals aside from a verse. Soulfull makes another appearance on track three Nice to Meet You. Gritty rap meets soul. Funny enough the former comes from the latter. Great song structure and catchy. My only issue is Ty Jack doesn't really have a verse and just sings the hook. It sounds like Soulfull featuring Ty Jack and not the opposite. Bri Janet does a nice job singing background. This is followed up by the lead single Slow Jam which I covered here. Bri Janet also makes another appearance on my favorite track Breath Interlude. The way their voices blended together into one lovely fixation was heaven sent. Just two powerful singers that started to match each others notes while sitting in the studio one day, and came out with gold. The message along with their voices is like a cherry on top of a perfect sundae. "Just breath and let it go." The beat is sampled from J. Cole's Can I Holla At Ya? off the first volume of his Truly Yours series in between his rookie and sophomore albums. I Like is another fan favorite. It features A.Lee and takes a fun Chocolate Factory sound. You can play this one at the cookouts for your parents and peers to hit the love slide to.

As much as I love the Neo-Soul old school vibe of the project, I wish he had more fun with this project. It's like he got in the studio with a good producer and ripped whatever track they played. Things don’t always have to have that old school feel to be good. Music can be a great compromise between the new and the old. I felt like he held back. I also think it was short, but nine tracks on a debut is perfect. Ty Jack makes each of these nine songs his. The monologues at the end of the tracks gives him a real identity as an artist and a man. He doesn't waste time trying to sound like anyone else. He is a pure tenor and still takes chances reaching into his upper register and does this flawlessly throughout. There are a few rookie mistakes but they happen. I cant wait to hear future projects and see all his potential fulfilled. The New Jeru Natives are full of talent and Ty Jack is another gem within the camp. Listen to EraNu below after the break.

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Oct 9, 2015

Pain & Perseverance: a mix by @FEELZ_

Pain & Perseverance.

I always love any chance I get to write a thought piece. I'm just glad I get to link that with my first love, music. Kafele came to me a few months back asking was I attending the Million Man March. I wasn't sure but he proposed we used our talents to curate a mix for the people. So with this platform and his skills behind the wheels of steel I couldn't refuse. With this mix we'll revisit old jams to contemporary songs that represent our struggle and what it means to be black and in America. So we empty into our nation's capital for the 20th anniversary of the Million Man March enjoy these tunes. Our cries over time have been reprised in protest and also in music. Join us in a trip from Jay-Z and Lupe Fiasco to The Roots and Mos Def. This was an amazing way to combine the two, and as always, Justice or Else! Below is the mix and a track listing containing a synopsis of its relevance to the mix written by Kafele Thomas.


Room 306 - Mickey Factz

"You know we are kings and queens/mistaken for the enemy/You know we will overcome/We won't stop 'til the race is won"

The story of Pain & Perseverance begins with the assassination of Dr. Martin Luther King Jr. Many people point to this event as the beginning of the dissolution of the Civil Rights Movement. After the assassination of many prominent African American leaders, the movement dissipated due to a lack of centralized leaders.


Minority Report Jay-Z ft. Ne-Yo

“Then it wasn’t on the nightly news no more/Suddenly, it doesn’t matter to you no more"

Hurricane Katrina was a tragedy for America as a whole, but especially devastating for the black citizens of New Orleans. Due to decades of redlining and discriminatory housing practices, blacks in New Orleans were forced to live in the lowest lying neighborhoods such as the 9th Ward. When Katrina hit, those neighborhoods were the hardest hit and unfortunately the least cared for. Media coverage was specifically naming African American citizens as “looters” and “refugees”, when they were simply people trying to survive after their countrymen abandoned them. This built up to Kanye West’s penultimate moment and one of the most important events in TV history “George Bush doesn’t care about Black people.” Even though we can all agree “Kingdom Come” was a dud, I think this is low-key one of Jay’s best tracks. You can hear his pain and disgust. Hov has never been a rapper who shows his emotion through his rhymes so the rawness of the track really pops out at you.

Don’t Feel RightThe Roots

“When the fridgerator’s nekkid and the cupboard’s is bare/People gotta strip nekkid and stick’ em up in the air”

Black Thought has always been an MC who always is in tune with current events and uses his music as a social tool. Don’t Feel Right describes one of the biggest issues affecting the black community – the lack of opportunity. Institutional racism keeps African-Americans segregated in communities with low property value, a small amount of jobs, poor schools, and crumbling infrastructure. The old saying “If I can’t work to make it, I’ll rob to take it” is one of the unfortunate laws of life in the inner city, which is the story of the next track…

A Tale of Two Citiez – J. Cole

“I look around like ‘Do you wanna be another nigga who ain’t ever have things? Guess not/ Last night, we pulled up on a nigga at the light like../ ‘Nice watch.. Run it."

Cole’s story shows how “If I can’t work to make it, I’ll rob to take it” sucks all people forced into these communities to play the game, whether willing participants or not. Cole tells the story of being broke in the hood and realizing that dire situations bring out the worst in people. Cole’s boy got jacked for his watch in the first verse, but by the end of the song Cole and his boys are the ones pulling the stick up moves, due to a lack of opportunities to get out of the hood the legal way. The rules of street life are messy and bloody, which in turns creates the biggest media farce of our time “Black on Black Crime”

Blacker the Berry Kendrick Lamar


“You sabotaged my community making a killing/ You made me a killer/ The emancipation of a real nigga”

K. Dot’s track is raw anger. He lashes out at America for putting the African-American community in the lose-lose game that it’s in and also his fellow brothers for perpetuating violence. In the track Kendrick refers to himself as a hypocrite for being mad at white America at large when black men and women kill each other every day. “Black on black crime” is a nonsense term that permeates through society as an excuse for why black people haven’t received our inalienable rights provided to us by the Constitution. Throughout history, violent crime often occurs in poor communities and crimes are committed by those who live in close proximity. Since most black people have been institutionalized into ghettos via the government and banks via predatory loans, most violent crime in the inner city is committed by those of the same racial background. “Black on Black crime” is the same as “White on White crime”, or “Asian on Asian crime”, but unfortunately, only one ethnic group gets that tag from the media.

Freedom Ain’t Free Lupe Fiasco

“Say that we should protest just to get arrested/ That goes against all my hustlin’ ethics/ A bunch of jail niggas say that’s highly ineffective/ Depart from Martin/ Connect on Malcolm X tip.”

Lupe’s track that samples the classic Pete Rock jam T.R.O.Y shows how the “American Dream” sold to us is fool’s gold. Not only does it leave behind many Americans behind, but America is built on resources from poor countries full of black and brown people via globalization. The realization that to fund the pockets of the 1%, billions of people are being shut out of prosperity to keep the machine running is disheartening. This track came out right after the Occupy Wall Street Movement and showed the violent response by the police to protesters and the trampling of our rights to assemble. The cold hard evidence that the powers that be aren’t interested in improve the lives of many is the root of this track’s feeling of futility and hopelessness.

The Pessimist Wale ft. J. Cole

“Got a pocket full of lint again, but it make no difference to me/ Fallin’ out with my friends again, but it makes no difference to me/ Goddamn, I’m hopeless/ Oh man, I’m hopeless”

The Pessimist is the build-up of all these issues. The feeling of hopelessness and despair is soul-crushing. Wale points to how so many different things are holding him back and not knowing how to find the silver lining. Life as a black man in America often feels like everyone is aiming at you and trying to kill you and your success. Your own community might throw shade at you for being one of the few to make it out of the hood, while you are facing institutional racism and a lack of acceptance by mainstream America unless you agree to fully assimilate into their culture. Cole’s line in the hook “still I pray” speaks to the church as a sanctuary for blacks throughout our history. The ability to pray for a better day shows our perseverance through all this pain we endure.

Don’tJuicy J

“They talk about peace/but how that’s gon’ be/ when police leaving young niggas dead in the street”

Juicy J’s track Don’t is short, but powerful, especially coming from a supposed Commercial artist like him. The track speaks to the overflow of anger at police brutality and how as Martin Luther King Jr. stated “Riot is the language of the unheard”. In Baltimore, Ferguson, New York, Charleston, Los Angeles, and countless other cities and towns throughout America, black people are often looked at as menaces and terrors for how we dress, act, and talk. We’re always followed in stores, stopped unnecessarily by the police, stared at when we’re somewhere we’re “not supposed to be”. Our mothers warn us about interactions with the police every day when we leave the house as children not knowing whether we’ll make it back in safely. America’s innate fear of the black body causes tension and hostility that builds up and boils over during these senseless killings.

AnimalsDr. Dre ft. Anderson.Paak

“Please don’t come around these parts/ And tell us we’re a bunch of animals/ The only time they wanna turn the cameras on/ Is when we’re fucking shit up”

During the protests this summer, media coverage and social media was filled with people from outside the African-American community judging us for our anger. A lot of these people forget that America was founded off of violent protest (Boston Tea Party, anyone?). The issues that go on in the inner city aren’t spoken about and addressed by the mainstream media, but when the riots occurred that was where all of the media focus was. This only serves to perpetuate the stereotype of violent scary nature and that an angry black populous is something for White America to be very afraid of. Most of the media and talking heads, don’t care about the systemic issues plaguing our community, but are only interested in the reaction for TV ratings. It speaks to America’s obsession with addressing the symptoms of the disease of racism, rather than focus on a cure to eradicate it.

Mr. Nigga Mos Def

“They say they want you successful/ but then they make it stressful/ You start keeping pace/ and they start changing up the tempo”

Mos Def in his classic, witty way describes how even when a black man manages to use his abilities to be one of the few to escape the perils of the ‘hood, he is faced with a world who doesn’t accept him. If one doesn’t conform to mainstream America, he is combated with multiple micro-aggressions every single day. From media persecution, not being able to sit in first class, eat at fancy restaurants, or drive luxury vehicles without being stared at like you don’t belong, even with the “American Dream” achieved, we aren’t accepted.

ForeclosuresRick Ross

“The white man call us stupid niggers/ We spend it all, nothing for our children”

“Foreclosures” by Rozay is the other side of the tale “Mr. Nigga” told. In the black community, we have a culture of materialism. Because we’ve never been able to achieve proper wealth, we spend our money flossing. We take pride in jewelry, cars, and, clothes more than stocks, bonds, and real estate. Financial education is severely lacking in our community, so that when we finally do hit our payday and get money, there’s a good chance that it will disappear just as quickly due to poor decisions. We’ve all seen the statistics on athletes and musicians blowing their fortunes. This stops us from building generational wealth that can further advance our communities.

Murder to ExcellenceJay-Z & Kanye West

“Only a few blacks, higher I go/ What’s up to Will/ Shoutout to O/ That ain’t enough/ We gon’ need a million more”

Jay and Ye dropped a gem speaking of learning to love ourselves and achieve our greatness. Very few blacks have been able to hit the heights of Jay and Ye and Hov laments that the more success he achieves, the fewer of his people he sees at that stature. It really speaks to the exceptionalism that one has to reach to attain that level of success from one of our communities. Unfortunately, the cards are stacked against many of us. Many black children are told as kids that we need to work twice as hard to get half as much, due to the circumstance of the world we live in. Belief in one’s self and trusting your ability to succeed and persevere to rise to excellence should be commended.

AlrightKendrick Lamar

“And we hate po-po/ Wanna kill us dead in the street fo’ sho’, nigga/ I’m at the preacher’s door/ My knees getting weak and my gun might blow, but we gon’ be alright”

K. Dot’s track speaks to the ability to look at the darkness of life, stare it in the face, and walk boldly ahead. Through all the adversity and pain, we’ve still managed to accomplish so much. There is a lot to take pride in from our community. Our culture has persevered through out countless assaults and is a living, breathing testament to our ability to withstand and remain firm. I left in Kendrick’s poem because although it’s a personal story, I feel it relates to all of us in our search for understanding and a place to belong in this world.

Hood Now (Outro)Lupe Fiasco

“What do you do when it’s so unequal/ Wear Michael Jordan’s with your tuxedo’s/ It’s hood now/ It’s hood now/ Yeah, yeah it’s hood now”


 Lupe’s track is fitting to close with. We’ve left an undeniable mark on not only pop culture, but America as a whole. Our ability to make lemonade out of the sourest lemons ever created is to be celebrated. Although fought a long, exhausting fight.. a fight where we’ve been knocked down repeatedly, we’ve never been knocked out. We’ve taken haymakers, got back up, and kept on swinging. Chipping away at the roadblock of racism in our way with jabs and hooks. Every generation before us has weakened it and left our mark on this world and it’s our duty to continue the fight.

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Jul 29, 2015

Editorial Review: #Surf - @DonnieTrumpet & @ChancetheRapper (by @RamseySaidWHAT)

It took a lot out of me to write this, I know how much Queen loves Chance but I had to review this one. Maybe next time honey.

Alright how do I even begin? Surf as of right this moment is number one in my AOTY rankings. We're a little more than halfway through the year. I know it might indeed be too soon but it's just something about this one. Through and through the mesh of Donnie Trumpet, Social Experiment, and Chance the Rapper bless our ears with sheer greatness. It's like a combination of live band like The Roots and Chance's quirky uniqueness. I would make a different comparison but his voice, spoken word, and flow style is so unique. Although the project is feature heavy it is near perfection. No artist upstaged another. Besides features aren't always too bad, word to Niles and Statik Seletktah They spoke their two cents and got too it. Speaking of two cents, they released it for free on iTunes. Let's get to it.

Track one, Miracle. Choral vocals fade in from the back to the foreground. I can't think of a different word than eerie to describe the melody sang by Raury. Don't get used to it because the beat stops and Chance enters with spoken word. The beat follows soon and turns it to a rap. We can expect more surprise as the album takes off. All in all, nice introduction.

Slip Slide follows up next. The song begins with noise as we band nerds call it. The trumpet takes over the melody. Busta Rhymes surprises everyone thanking Chance for giving him the opportunity to spit and stand up (or try to, I had to make a pun). No diss at all because Busta delivers and reminds us why he's a legend and far from past his prime. There is no plateau for this man. B.O.B also makes an appearance. They spit about trying not to slip and slide and fall into the tendencies of the rest of the industry. I was ultimately surprised it wasn't Akon on the hook but Macea of the O'My's serenading us all. Slip Slide ends really smooth and transitions nicely into Warm Enough. Noname Gypsy and Chance the Rapper trade back and forth with bars about love. "Who are you to love me and not call me by my name." Gypsy blesses us with vocals on the hook and then it happened.

"Is that J. Cole?!" yell me and my cousin during our first listen on an Atlantic City road trip. He follows suit with the love rant and if I had to crown a winner it'd have to be the lady. Maybe they just love better than we. Debatable but back to the topic. Nothing Came to Me serves as an interlude of sorts. Donnie Trumpet keeps it simple. I guess no title for the track came to name and he reminded us that this is indeed a jazz album first, then hip-hop. Beautiful trumpet solo.
Surf returns to a joyful mood with the next track, Wanna Be Cool. Chancellor is joined by Jeremih singing. "I don't wanna be cool. I just wanna be me." The next surprise is Big Sean and Super Duper Kyle rapping about staying true to themselves. Fun but importantly preached by the singer/rapper quartet. The album feel takes another turn when Windows begins. Chance the Rapper is joined by BJ the Chicago Kid and Raury. They croon not to look up to them. I still swear I hear Mali Music and his singing habits in this song. I could be wrong but I swear it's him even if he's not listed in the credits. Nonetheless, it's easily my favorite song that is still on repeat as I type. Caretaker has another interlude feeling. Not too lengthy as D.R.A.M sings about taking good care of his lover, even if she is a groupie. The song samples Find My Way Back, the old Jaheim jam. I even hear hints of Can You Handle it by Usher. At least that's what it suggests. Gents you can put this in your "Get the drawers" mix, thank me later.

Just Wait begins with Donnie and Social Experiment just going ham for no reason at all. Eff it that's why. After their jam session ends, Chance the "singer" returns preaching patience. Familiar provides the biggest surprise feature on the album. Musically the song is so funky and Chance paves the way with a really dope flow and hook. Fellow Chicago native King Louie makes an appearance but what baffled the hell out of me was Quavo from Migos laying a verse down. It doesn't matter if you don't like jazz this album is really for everyone. Trust me, I hit the Whip, Cook, and Nay-Nay, a lot to this jam. Crossover music at it's finest. Following Familiar is SMTHNTHTIWNT which features Saba. This project has shown Chicago a lot of love indeed. The production is really distorted where the chi-town emcee spits a nice little verse. Not exactly whack but in comparison with the rest of the project this song can be overlooked. Go which features Jesse Boykins III, Mike Golden, and Joey Purp. The mood drastically changes back upbeat. Jesse Boykins III joins singers from Social Experiment to sing a fun hook. Mike Golden lays down vocals with the first verse. Joey Purp follows up with some bars of his own. Hook, verse, hook, bridge, verse hook, outro. The format to this song is perfect, point blank. Questions featuring Jamila Woods is next. I originally thought this was actually Dej Loaf. I love the percussion and jam session. The song is short but sweet. Not much else to say.

Something Came to Me seems like a response to the earlier song, Nothing Came to Me. Donnie lends his horn with another trumpet solo. It leads into Rememory with finesse. Chance the Rapper takes the role of the man in a bad divorce. He tells his regret and worry for the children. Ady Suleiman assists with a falsetto of sorts on the hook. Really dramatic groaning voice fits the mood of the song perfect, when out of nowhere Sara Bellum appears. Yes that's right the queen, Erykah Badu herself lends her jazzy motherly vocals to console the hurting Chancellor. Jamila Woods makes another appearance on the next song, Sunday Candy. She really gets her chance to show her own talent this time around. So many gospel characteristics blend well with the live band sound. The hook is reminiscent to Genesis chapter six if you have a bible handy. Chance's verse added hip-hop to the crossover. Fuego. The projects wraps up with Pass the Vibes. Eric Butler sings over a catchy instrumental. It's very touristy. Maybe I created that word but it's like you could hear that tune on a Caribbean vacation commercial if you catch my drift (get it? Drift? Surf? It's my last chance at a pun).

All jokes aside Surf is a great project. As of now this might be my favorite thus far this year. As Niles said in his Statik Selektah review, this year is quite the competition for album of the year. We've seen strong showings from hip-hop and the year is only half over. This year I think the staff will have a much more diverse showing than the previous year. It's albums like Surf that make this possible. Perhaps it was really feature heavy but the surprises made the album that much sweeter. Chance the Rapper served as Social Experiment's Black Thought. Assists from heavy hitters, legends, and up-and-comers made this sweeter than your high school sweetheart's cute bestie. Donnie Trumpet, Social Experiment, and Chance the Rapper's Surf gets 4.7 of 5 stars on the Ramsey Rating Scale. You can stream the project below via DatPiff. Enjoy the vibes. I need yall to feel this.

 

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Jun 9, 2015

Listen: Mor(o)less - @jcmdope (@MOROLESSCON & @Its_MayDay)

New crack from them dope boys. No pun intended.

D.O.P.E is long overdue for a new project as Foreclosure got pushed back last season. From what I've heard with my own two ears the project is something to look forward to. In the meantime the duo blessed us with Mor(o)less. Per usual the production is superb. They seemed to sample J. Cole's January 28th. Both spitters show their versatility with different styles of flow. Conway almost sounds like Big Sean towards the end of the track. In fact, see for yourself after the break. Stay tuned for their second full length project, Foreclosure.

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May 18, 2015

Editorial Review: The Album About Nothing - @Wale by @RamseySaidWHAT

Alright. I get it. I made a lot of constructive criticism towards Wale and the high expectations for his Album About Nothing (TAAN). I was wrong, and Kyle I apologize you were right.

I don't know what it is but it seems like on the third release on a contract it seems artists show more creative freedom than previous releases. Thus The Album About Nothing sounds like a Wale album circa 2009 rather than post MMG. To me it sounds like a debut album rather than the 4th go round for him. This is his diary and that's no pun on Attention Deficit. There's so much feeling and emotion attached to this project. Let's get to it.

The Intro About Nothing is previously recorded on Outro About Nothing on his previous album, The Gifted. His skit with Jerry Seinfeld is accompanied with cheery chords and a choir. The Helium Balloon is a testament to how well Wale uses metaphor to spill his guts. A few months before the album he broke down the song in an interview on LA's Power 106. He explains that there's nothing he can do to fully please his fans. Say you discover a new artist. You want him to blow up and fly but at the same time you are scared he'll change with the newfound fame so you want him to fly but keep it all to yourself. Like a helium balloon attached to a child's wrists. Talk about symbolism.

Next up is, The White Shoes. He uses his vast sneaker knowledge to create bars within the song. The hook reminds me of Kendrick Lamar's Alright. He reminds us that things will be okay regardless of the struggle. Throughout his struggle he tells himself what's important and to stray from those whose priorities aren't in order. "These n*ggas love white shoes so much they'd be buried in them." Damn. I wouldn't call The White Shoes a sad song but melancholy. The track is a perfect transistion for the next cut, The Pessimist featuring J. Cole. When these two hook up it usually leads to straight fire and almost a competition of bars but unfortunately this time it's just a hook from Cole and bars from Wale. Thus far through the album this is the only Seinfeld skit recorded from the show and not actually Jerry in the booth. The skit is a conversation between Jerry and George speaking on the theme of Hope.

As I previously stated this album is a diary for Wale. As he puts it "I'm in the passenger seat and my fans are driving." I've always had a love hate relationship with Wale and his honesty. He's so open and easily obtained. I don't mean easy to read but he gives us his all unlike anyone else in the mainstream industry. I love it but at the same time I've always felt he doesn't have to respond to everyone and more specifically his haters. With that being said he addresses this issue in his next track, The Middle Finger. "I respect dudes from my double M crew, but I'm just not that dude hanging on to who's who's and such." He respects them and loves his labelmates but he doesn't want to be known as another MMG guy. Then in the hook he addresses his haters again, just not in the way he usually does. It's quite simple actually. "F*ck you leave me alone."

The One Time in Houston starts using a sample of New Edition's If It Isn't Love. Genius. Then a skit between George, Jerry, and Elaine tells the real story. George is struggling in the episode because he tells his girlfriend he loves her and she responds with "Let's get something to eat." I know you Seinfeld fans remember that episode. Funny but it makes a good point of how no one wants the people that want them, they want someone else. That's a different write up on a different blog. The song goes into that Houston trademark chopped and screwed feel and focuses on women who aren't focused on men but making their money. And strippers, did I mention strippers? Phil Ade does a great job on the hook. Track seven is The Girls on Drugs. I didn't quite get it when I first heard it. After watching the visual it all made sense and was a great addition to the album. The God Smile is the turning point of TAAN. The title is self explanatory. He's asking God to shine his light on him so he can put the DMV on his back. This is the best produced track on the album, DJ Dahi did his thing on this one as usual.

The God Smile is followed up by The Need to Know. Featuring SZA, this is arguably the best song on the album. Wale explains that the world don't need to know what goes on between him and his girl. That's a lesson I think all adolescences can learn from. To top it all off the soulful Jersey crooner sings an acoustic sample of Just Friends (Sunny) by Musiq Soulchild. Then Jerry and Elaine discuss an opportunity at being friends with benefits in a comical way. The Success is another beautifully produced track. Jake One samples a gospel favorite Psalm 121. The Glass Egg is also broken down in the interview on Power 106 but might be the only skip on the album. Don't get it twisted, the song serves it's purpose. The metaphor is impeccable and his flow mirrors Groove Theory's Tell Me. That's for the grown folks.

The next track, The Bloom (AG3), is arguably my favorite cut on here. It kinda reminds me of The Power from More About Nothing but not quite if you get me. Stokley Williams assists an upbeat produced record making it perfect for that family barbecue you have planned for the summer. Wale's wordplay in this track is unmatched. He compares his woman with a flower. "Excuse me Mrs. Um.. You don't know me but...Thank you for your flow, but I'm tryna be your sun." "Tell Me bout your roots, and how you've came up, I call you my flower cause you're my boo, K?" He's a wordsmith and his lyrical dexterity can't be matched. "Fresh out of college and they sweat you, now you got degrees."Wale is flat out clever.

The Matrimony featuring Usher was another single we got before the album dropped. Before and after I still enjoy this cut. What I like most is the skit beforehand when Jerry and Wale have a nice conversation or interview before the beat really drops. I think on the album version you miss out. You get the rest in a studio session that you can watch below.


Usher does the rest on the studio version of the album and Wale pleads his case on where he stands with marriage. Touching really, especially when you relate like I do. The Body is the first single that was released for TAAN. Jerimih does a great job on the hook. The track was nice. That's all I have to say about that (Forrest Gump voice*). I'm actually glad he ended the album with the tracks we've already heard beforehand. It forces you to actually sit and listen.

Wale is the love child of R&B, Gospel, and his hometown Go-Go Music. The skits and samples from Seinfeld was perfect and reminds me of the classic Wale style we were used to seeing on the Mixtape series. Wale still delivers with his spoken word and lyrical skill. In December it'll be hard to keep this out of the album of the year argument. Frankly this is my favorite Wale project and he has indeed progressed as an artist and as a man. Keep up the good work. You can Stream The Album About Nothing below.


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Apr 23, 2015

Watch: Wet Dreamz - @JColeNC

Puppy Love.

J. Cole dropped a video for Wet Dreamz recently. The video takes a different turn we couldn't expect. I've always thought Cole was good at using symbolism in his music that you could picture a video on your own. So beforehand you'd expect this to be about him and any high schooler's dream. Right? Wrong. Cole's dog is the one chasing the tail this time. Don't get me wrong, it ends well for young simba in the end. Check the hilarious but clever Wet Dreamz video below.

 

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Apr 9, 2015

#TBT #FridayNightLights - @JColeNC by @AQueensCrown

The first song I ever heard from J. Cole  is Who Dat . I hated it, still Do.

It wasn't until a friend I met in class told me about a mixtape The Warm Up. With a little urging from him, I finally gave it a listen. Listening to Losing My Balance spoke to my soul. Adjusting from high school to college is usually a difficult period for most people. Today I can say Cole helped me thorough stint of transition. From then on I was hooked. I became an official fan. I spent a lot of the time afterwards listening to everything he already had out. From there I just had to wait until he dropped his next mixtape.

It was November 12, 2010. Everyone,and I mean everyone in my building was talking about his next tape, Friday Night Lights. We discussed our favorite tracks, and argued about what certain tracks meant. For a few weeks it was all I listened to. This mixtape helped established my love for music. Suddenly I wanted to share my thoughts with anyone that would listen on everything music related.

Later on, Cole even came to my school for our inaugural "Spring Jam." Tickets sold out immediately! In the week leading up to the concert, my friends and I listened to nothing but young simba. Whether it was either The warm up, or The Come up our rule was no listening to anything but  nothing but J. Cole until the concert. Although he was opening up for Fabolous at the time, he tore the stage down performing songs like Grown Simba, Lights Please, and a special treat of In the Morning (that featured Drake) a few days before Friday Night Lights dropped. He even performed his verse on Jay-Z's Star is Born.

Friday Night Lights is the project what told me J, Cole was going to be a big deal. Hits included the before mentioned In the Morning, Higher, and You Got It where he battles wits with Wale. Another song I enjoyed was Villematic which uses the Devil in a New Dress beat by Kanye West. This was the mixtape of my first fall semester in college. He related to the average college student and what goes on in our daily life. Cole gave hopeless broke kids hope while being able to tell a story while doing so.

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Mar 24, 2015

Editorial: (Im)Mortal Men - @KendrickLamar by @RamseySaidWHAT

It's tough when the whole world sees you as Pac reincarnated....

In a world where Kendrick Lamar has been seen as "New Black" for some of his opinions on world matters, I think it's interesting. What makes K. Dot real is what he really wants for you. When most people give their opinion they are trying to enlighten you to their way of thinking and persuade you to be like them. In today's age people lean towards different rappers for different reasons, at least in this generation. Some listen to J. Cole because he has this amazing ability to make people relate to him. Between College life, Significant others, struggles with his mom, family, father or lack thereof you can really feel him. However Kendrick does the opposite and to me, that's amazing (to you that's a quick check with all disrespect..okay weak pun alert). "I've spent 23 years searching the world for answers til one day I realized I had to come up with my own (Ab Soul's Outro)."


I do not think To Pimp A Butterfly was the best album ever. I don't even think it was even better than GKMC. I think it was what was needed for what's going on in today's trying times. I chopped it up with some friends in the industry and lowkey I predicted that much for the album. I actually took it a little deeper. I explained that I thought he was gonna drop an album so deep it would kinda be like his eulogy.

Yes, I said Eulogy. Let me explain. We were seeing Kendrick so rough in between albums. He wasn't doing much press. He was only in studio, and not seen in the public eye too often. I imagine that has an effect on a young blogger like myself. He looked stressed, and not just for the album. I could see the pain in his eyes. It was the same pain I felt everyday watching the news or reading about another young black kid unjustly murdered by the police. Almost becoming a regular thing. The album was coming and people weren't exactly happy with Kendrick's comments regarding Ferguson and what's happening there. He then reminds us how important loving ourselves is when he recorded I. The messages conveyed kind of had a Dr. King essence. I compared it to how Martin gave his last speech I've Been to the Mountaintop. Visions of Martin Luther staring huh? Perhaps I was a little dramatic but that's just how I took it. Thank God I was wrong in that sense. I guess I'm too deep for the intro (If you've read this far I applaud you. I'm getting to the point soon.).



Kendrick once said Pac visited him in a dream urging K. Dot to never let his music die. That alone is the inspiration to the end of Mortal Man. Let's break it down. Kendrick is known for really deep Outros on his project with Hiiipower and Sing About Me respectively. Mortal Man is the same if not deeper. I think he took parts of both to complete an interview with Makaveli himself, Tupac Shakur. It was incredibly clever the way he took bits from past interviews and his own responses and questions to the immortal man. He starts by reading a poem to Pac then asks him about metaphors he once spoke. Kendrick asked about how he came up, his battles with stress, and his opinion on what's going on today. The part of the interview that stood out to me was the last bit about music being the only thing important thing we have left. Pac responds:

"Because it's spirits, we ain't really rappin' we just letting our dead homies tell stories for us."

The background music stops. Kendrick and myself both stunned only say one thing. "Damn." That kinda flashes back to Sing About Me on GKMC. "And if I die before your album drops POP! POP! POP! (gunfire*)...promise that you will sing about me." After the initial shocks wears off Kendrick reads another poem to Pac. This poem uses metaphors and analogies concerning a caterpillar and the journey to become a Butterfly like the title of the album. The poem generally sums up Kendrick's messages throughout. He pauses, and asks for his mentor's opinion. Sensei grew quiet.

"What's your perspective on that? Pac? Pac? Pac?"

No answer, like his friend in sing about me. Perhaps opinionated but that takes me to the before-mentioned quote in Ab Soul's Outro from Section 80 about coming up with your own answers.

Mortal Man seems to be a promise to 2Pac that his music will live on. His message will be conveyed if by no one else, Kendrick will do it himself. The two have outrageous similarities and mentors in Dr. Dre. I remember an old interview 2Pac once said "I'm not saying I'm going to change the world. But I guarantee I will spark the brain that will change the world..."  Maybe that brain is Kendrick, maybe it's not.  Hell maybe it's you and Kendrick is simply the channel to convey this communication. There's my opinion. It's time for yours' to be heard, that's what these Immortal Men want from you. I guess only time will tell. Keep that in mind and keep a lookout on the review of the entire album from one of our staff members soon.

P.S. Kendrick when your time is up we'll sing about you too. We owe you that much. Thank You.

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Mar 23, 2015

Watch: G.O.M.D - @JColeNC

Bruh the symbolism in the video is ridiculously dope.

I know on the AOTY review I assumed this was one of those Big Sean acronym tracks. Maybe I missed the message. In case you did too please watch this video for G.O.M.D by J. Cole below. Fire.

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Mar 18, 2015

Preview @Wale's The Album About Nothing #TAAN by @simONE_OFMYKIND

Wale has been on a rollercoaster with his sound during the past couple of years. As a big fan of his music I have to say at times he has let me down, to the point where I wouldn’t even get excited about him releasing something new. However this is not the case with his upcoming album. This will be Wale’s fourth album. The title alone has me extremely excited for this project, The Album About Nothing. Sound familiar? In the trailer for this album Wale acknowledges how often his fans have said they wanted the old Wale back, so he promises to revive him on The Album About Nothing. Also mentioning that he wants to get back to the basics and back to what he knows for this project. So hopefully the pre-MMG Wale will be alive and well on this album. It may be wishful thinking but in my opinion Wale is foreshadowing that there will be vibes, sounds, and content similar to his early mixtapes (Mixtape About Nothing and More About Nothing)

The forthcoming album will include 14 songs and features from artists such as SZA,Usher, Jeremih, J.Cole, and Jerry Seinfield . The classic show about nothing, Seinfield has heavily influenced Wale and his music. As most of us are familiar with, there was a lot dialogue from the show used on the tracks from More About Nothing and Mixtape  About Nothing. We will hear this on The Album About Nothing, as well as commentary and narration from Jerry Seinfield.

Thusfar, three songs have been released. One of the previously released songs Girls on Drugs was on the 2014 mixtape Festivus. The Janet Jackson hit Go Deep is sampled on this track and while it gives it a more enjoyable sound Wale discusses something more serious, girls dealing with mental and emotional problems that turn to drugs and alcohol as the solution. The two singles right off the album are The Body ft Jeremih and The Matrimony ft Usher. Wale gets very personal on The Matrimony, rapping about the conflicts of trying to be in a relationship and living the life of a celebrity,also he speaks on traumatic events from a past relationship.

One of the reasons Wale is good is because of his ability to be so open and honest in his songs. Some of that seemed long lost but Wale speaks about TAAN serving as a journal for him allowing his longtime fans to reconnect with him. I don’t know how many people are with me on this, but I have a feeling this album is going to do great and leave us with plenty of good things to say about it. I’m sure a lot of you are just as eager to hear Album About Nothing as I am, the album will drop later this month on March 31st. See the tracklist below and if you haven’t yet listen to the singles.

The Album About Nothing tracklist:

1. The Intro About Nothing
2.     The Helium Balloon
3.     The White Shoes
4.     The Pessimist (featuring J.Cole)
5.     The Middle Finger
6.     The One Time In Houston
7.     The Girls On Drugs
8.     The God Smile
9.     The Need To Know (featuring SZA)
10. The Success
11. The Glass Egg
12. The Bloom
13. The Matrimony (featuring Usher)
14. The Body (featuring Jeremih)

Below you can watch the video to The Body with Jeremih and stream The Matrimony featuring Usher.




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