Showing posts with label Noname Gypsy. Show all posts
Showing posts with label Noname Gypsy. Show all posts

Jan 20, 2016

Listen: All I Need - @NonameGypsy feat. @SPZRKT

If you’re not already familiar with Noname Gypsy’s music, you can find her featured on tracks with the likes of Mick Jenkins, and Chance The Rapper. She is slowly building a buzz on the hip-hop scene. She had a bunch of tracks on her SoundCloud that have since been deleted, and can now be found on random YouTube and Soundcloud pages.
Noname Gypsy recently released her first single All I Need off her upcoming & oft-delayed project Telefone.  Since becoming a fan of Noname Gypsy it's good to know that the she's making progress towards a complete body of work. Like the song title suggests “Love is all I need.” The tranquil love song is filled with smart lines that jog your memory of past or present love. Accompanied by SPZRKT’s mellifluous voice, this song sums up the feeling of when you get used to talking to your boo every night on the phone.  “You remind me to love myself for the principle for the kid inside, til the end of time.” Noname's love interest keeps her childlike wonder about the world alive while reminding her of the things that she loves about herself.

You can check out the song after the break. Be sure to look out for Telefone coming soon, as well as my review.


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Nov 3, 2015

Review: Late Knight Special - @KirkKnight; A Niles P. Joint

Over the past few years, Hip Hop has seen a resurgence of young dual threat emcees/producers. I have been watching three in particular, and since I’ve already covered Bishop Nehru and Raz Fresco, it’s time to analyze the final section of this three headed monster. Kirk Knight cut his teeth with a membership in Brooklyn collective Pro Era, specifically producing for Joey Bada$$’ major label debut. His production style fit Pro Era’s signature Beast Coast grime and he showed skills as a budding rapper. Somewhat surprisingly, Knight decided to forego the mixtape route and dropped Late Knight Special as his debut album. My boy Ramsey previewed it earlier and now I’m here to bat cleanup and check it out in depth.

Since Knight’s body of work isn't as long as peers’ as of yet, this serves as his long-form introduction to the world on the solo tip. He starts out with a celestial sound on both Start Running and Heaven Is For Real. The former makes good use of a vocal sample about teleportation music through harps, with a standout bassline and great drums. Speaking of great drums, the snare is excellent on the latter. I think there’s also an uncredited by Kris (formerly T’Nah Apex.) Both show a great scope of his beatmaking talent. Kirk gets straight hype/gutter on Brokeland which was the first single released some time ago. It’s very ODB/Wu Tang inspired, or so it seems. The hardcore aesthetic continues on 5 Minutes which features team captain Joey Bada$$. The horror movie piano works as it creates a soundscape that is somber yet has replay value. Joey complements the song without overshadowing his boy. Thus far, the songs have stylistically come in pairs.
   
Here’s where things go off the rails though. Knight Time is a turn up type track. It has the dreaded machine gun drums that I hate and is a 180 degree turn in approach. One Knight (Kirk really likes wedging his name into song titles) has very good guitar work but the beat is too busy and is the obligatory smooth single. This would be forgivable but he goes down the same route THREE SONGS IN A ROW with Scorpio and Down. They’re almost interchangeable and mostly forgettable. At this point the album feels more like a collection of songs than anything truly cohesive. More on this later.


Mick Jenkins shows up on I Know which is decent but suffers from drums that use too many modern motifs. The hi-hats are just distracting, which is a shame because the rest of the song is dope. Chicago is in the house again along with L.A. in the form of guest spots from Noname Gypsy and Thundercat on Dead Friends. It’s just what it says it is, a sentimental reflection on dead friends. Noname continues to slay every guest appearance she sees and Thundercat lays down some glorious guitar riffs. The Future features this guy called The Mind who is apparently some sort of genetic hybrid between Kid Cudi and Chance The Rapper vocally. Despite the guest’s style biting, Kirk lays down some solid reflective bars. The album closes with All for Nothing. It’s probably the best song on the album and gives the best indication of Kirk Knight’s potential talent on the mic and behind the boards. It’s a very intricate song both instrumentally and flow-wise as he switches it up within the song without it sounding gimmicky at all.
   
I mentioned before that this album was kind of all over the place It seems like Kirk Knight was torn between pleasing the older fans who liked his crew’s classic style and the younger ones in his age bracket who enjoy trap/drill music to get them hype. It’s good that Knight strives to be versatile but at the same time you can’t help but notice that the album is almost broken up into thirds, with each one sounding different than the others. Editing and song sequencing plays a big part in this gaffe; the album as a whole doesn’t have one consistent vibe. This is compounded because he went for broke and released a studio album before wading into the treacherous waters of the rap game with a mixtape or EP first. Even his crew mates have treaded lightly instead of immediately diving in.
   
At the same time, you have to remember that Late Knight Special is still his first solo project. While ultimately disjointed, it does have some gems that show what he’s capable of both as an emcee and producer. This album is ambitious if nothing else. The wetness behind his ears will go away and the ride will be smoother the next time around. It’s a testament to the adventure of youth when the world was infinitely possible and you could try everything once before settling down. While it didn’t always work, Kirk Knight has more than enough musical prowess to hammer out an enduring berth in Hip Hop.

Rating: 3 out of 5.

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Oct 8, 2015

In My Ears: Editor's Picks Week of 10-4-15

In My Ears: Week of October 4th, 2015

It's been a long time since I've really broke down what's filled the space between my ears. I've always enjoyed writing this segment so here goes.

Album of the Week:


Ego Death - The Internet

I really struggled here because I spent a lot of time listening to Jay Rock's project 90059 in the gym working out or for writing the review I wrote earlier this week. I've really only listened to one other complete project. This week's album of the week is Ego Death by Odd Future's own, The Internet. Jams like Gabby featuring Janelle Monae, For the World with James Fauntleroy and the Kaytranada produced lead single Girl can attest to why this should also be in your speakers too. Stream Ego Death on Spotify below.



Songs on Repeat:

That One - Teedra Moses featuring Anthony Hamilton & Israel - Chance the Rapper featuring Noname Gypsy


Teedra Moses, you might know her name from Be Your Girl. Kaytranada made an incredible house synth remix to that original track but Teedra Moses is more than  just that. That One features an assist from Anthony Hamilton. Their two soulful but unique voices make beautiful music together. Listen to That One below.



Chance & Noname at Trillectro '15
I was a month late getting to this one. I know it happens, it's possible for me to miss out on something dope so bear with me. I figure if I missed out on this someone else did too for lack of promo or any other reason. Anyways, it's always great hearing Chance and Noname on a track together. They trade bars over a simplistic boom bap beat. At times it seems like they are just rambling, they're not. Listen for yourself below.


Throwback Jawn:

Rebirth of a Slick (Cool Like Dat) - Digible Planets

This week's throwback is thanks to Michael Gribbroek. You're wondering who on Earth is that (doesn't matter if it's not in bold), but he is my music professor. He assigned a project talking about jazz influence in other contemporary music. Perhaps this Digible Planets classic isn't exactly contemporary but the live bass, drums, brass section, and saxophone make for an amazing sound. To this day, "They be to Rap what Key be to Lock." Watch the video below.



Indie Track:

The Dungeon - Loaf Muzik

Loaf Muzik at Black Bear Bar BK
I always sing praises of this New York based collective if you're around. Together the hip-hop quartet consisting of Kidaf, Shadow the Great, Oso Dope, and Shine Sinatra lay waste to tracks with impeccable flow, lyrics, and sheer energy. Seeing them live is also a great show experience. They just dropped a project titled Live From the Dungeon earlier this week. It's safe to say an editorial is coming soon. In the meantime listen to track one, The Dungeon below.

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Jul 29, 2015

Editorial Review: #Surf - @DonnieTrumpet & @ChancetheRapper (by @RamseySaidWHAT)

It took a lot out of me to write this, I know how much Queen loves Chance but I had to review this one. Maybe next time honey.

Alright how do I even begin? Surf as of right this moment is number one in my AOTY rankings. We're a little more than halfway through the year. I know it might indeed be too soon but it's just something about this one. Through and through the mesh of Donnie Trumpet, Social Experiment, and Chance the Rapper bless our ears with sheer greatness. It's like a combination of live band like The Roots and Chance's quirky uniqueness. I would make a different comparison but his voice, spoken word, and flow style is so unique. Although the project is feature heavy it is near perfection. No artist upstaged another. Besides features aren't always too bad, word to Niles and Statik Seletktah They spoke their two cents and got too it. Speaking of two cents, they released it for free on iTunes. Let's get to it.

Track one, Miracle. Choral vocals fade in from the back to the foreground. I can't think of a different word than eerie to describe the melody sang by Raury. Don't get used to it because the beat stops and Chance enters with spoken word. The beat follows soon and turns it to a rap. We can expect more surprise as the album takes off. All in all, nice introduction.

Slip Slide follows up next. The song begins with noise as we band nerds call it. The trumpet takes over the melody. Busta Rhymes surprises everyone thanking Chance for giving him the opportunity to spit and stand up (or try to, I had to make a pun). No diss at all because Busta delivers and reminds us why he's a legend and far from past his prime. There is no plateau for this man. B.O.B also makes an appearance. They spit about trying not to slip and slide and fall into the tendencies of the rest of the industry. I was ultimately surprised it wasn't Akon on the hook but Macea of the O'My's serenading us all. Slip Slide ends really smooth and transitions nicely into Warm Enough. Noname Gypsy and Chance the Rapper trade back and forth with bars about love. "Who are you to love me and not call me by my name." Gypsy blesses us with vocals on the hook and then it happened.

"Is that J. Cole?!" yell me and my cousin during our first listen on an Atlantic City road trip. He follows suit with the love rant and if I had to crown a winner it'd have to be the lady. Maybe they just love better than we. Debatable but back to the topic. Nothing Came to Me serves as an interlude of sorts. Donnie Trumpet keeps it simple. I guess no title for the track came to name and he reminded us that this is indeed a jazz album first, then hip-hop. Beautiful trumpet solo.
Surf returns to a joyful mood with the next track, Wanna Be Cool. Chancellor is joined by Jeremih singing. "I don't wanna be cool. I just wanna be me." The next surprise is Big Sean and Super Duper Kyle rapping about staying true to themselves. Fun but importantly preached by the singer/rapper quartet. The album feel takes another turn when Windows begins. Chance the Rapper is joined by BJ the Chicago Kid and Raury. They croon not to look up to them. I still swear I hear Mali Music and his singing habits in this song. I could be wrong but I swear it's him even if he's not listed in the credits. Nonetheless, it's easily my favorite song that is still on repeat as I type. Caretaker has another interlude feeling. Not too lengthy as D.R.A.M sings about taking good care of his lover, even if she is a groupie. The song samples Find My Way Back, the old Jaheim jam. I even hear hints of Can You Handle it by Usher. At least that's what it suggests. Gents you can put this in your "Get the drawers" mix, thank me later.

Just Wait begins with Donnie and Social Experiment just going ham for no reason at all. Eff it that's why. After their jam session ends, Chance the "singer" returns preaching patience. Familiar provides the biggest surprise feature on the album. Musically the song is so funky and Chance paves the way with a really dope flow and hook. Fellow Chicago native King Louie makes an appearance but what baffled the hell out of me was Quavo from Migos laying a verse down. It doesn't matter if you don't like jazz this album is really for everyone. Trust me, I hit the Whip, Cook, and Nay-Nay, a lot to this jam. Crossover music at it's finest. Following Familiar is SMTHNTHTIWNT which features Saba. This project has shown Chicago a lot of love indeed. The production is really distorted where the chi-town emcee spits a nice little verse. Not exactly whack but in comparison with the rest of the project this song can be overlooked. Go which features Jesse Boykins III, Mike Golden, and Joey Purp. The mood drastically changes back upbeat. Jesse Boykins III joins singers from Social Experiment to sing a fun hook. Mike Golden lays down vocals with the first verse. Joey Purp follows up with some bars of his own. Hook, verse, hook, bridge, verse hook, outro. The format to this song is perfect, point blank. Questions featuring Jamila Woods is next. I originally thought this was actually Dej Loaf. I love the percussion and jam session. The song is short but sweet. Not much else to say.

Something Came to Me seems like a response to the earlier song, Nothing Came to Me. Donnie lends his horn with another trumpet solo. It leads into Rememory with finesse. Chance the Rapper takes the role of the man in a bad divorce. He tells his regret and worry for the children. Ady Suleiman assists with a falsetto of sorts on the hook. Really dramatic groaning voice fits the mood of the song perfect, when out of nowhere Sara Bellum appears. Yes that's right the queen, Erykah Badu herself lends her jazzy motherly vocals to console the hurting Chancellor. Jamila Woods makes another appearance on the next song, Sunday Candy. She really gets her chance to show her own talent this time around. So many gospel characteristics blend well with the live band sound. The hook is reminiscent to Genesis chapter six if you have a bible handy. Chance's verse added hip-hop to the crossover. Fuego. The projects wraps up with Pass the Vibes. Eric Butler sings over a catchy instrumental. It's very touristy. Maybe I created that word but it's like you could hear that tune on a Caribbean vacation commercial if you catch my drift (get it? Drift? Surf? It's my last chance at a pun).

All jokes aside Surf is a great project. As of now this might be my favorite thus far this year. As Niles said in his Statik Selektah review, this year is quite the competition for album of the year. We've seen strong showings from hip-hop and the year is only half over. This year I think the staff will have a much more diverse showing than the previous year. It's albums like Surf that make this possible. Perhaps it was really feature heavy but the surprises made the album that much sweeter. Chance the Rapper served as Social Experiment's Black Thought. Assists from heavy hitters, legends, and up-and-comers made this sweeter than your high school sweetheart's cute bestie. Donnie Trumpet, Social Experiment, and Chance the Rapper's Surf gets 4.7 of 5 stars on the Ramsey Rating Scale. You can stream the project below via DatPiff. Enjoy the vibes. I need yall to feel this.

 

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Feb 12, 2015

#TBT @ChancetheRapper's Acid Rap Review by @AQueens_crown


What's the Movement is making expansions and changes in 2015. This year I've been assigned to kick off the brand new Throwback Thursday Write Ups. Every week the writer's will touch base on an old project that hasn't yet been reviewed on the site.

With the anticipation of Chance The Rapper's debut album Surf on the horizon. I thought it would be dope to take a look at his past mixtape Acid Rap. When it first came out I would see it everywhere but never listen. Thankful a friend got in my ear and I listened. Afterwards, I was so upset with myself that it took me forever to listen to him. Here's my track by track synopsis:

1.              Good Ass Intro  (featuring BJ the Chicago Kid


Chance returns from his tour and his last mixtape to announce that he "Even better then I was the last time." Nuff Said.


2.              Pusha Man/Paranoia (featuring Lili K & Nate Fox)    

Here Chance The Rapper references his previous tape 10 Day. "Ten damn days and all I got to show for it is shoes and shows and chauffeurs with road rage," and the change that has come from it. Telling a story of drug life. The second part of the song Paranoia is a song I know that many people connect to. It deals with the violence that goes on in Chicago and how it is ignored by the media. Fun Fact: I didn't know Paranoia existed until I watched the video. Every time I listened to Pusha Man afterwards I would skip to the next song thinking the long pause after meant something was wrong with my iPod.

3.              Cocoa Butter Kisses (featuring Vic Mensa & Twista)

Chance enlists the help of Vic Mensa and Twista to tell mama, grandma that he misses them. Of course, they don't approve of his drug use. So he tries to hide it from them because he wants to go back to the days before he transitioned into a man.

4.              Juice     

If you haven't seen the movie Juice (what's wrong with you) you may not get the 90s movie reference. Here Chance is tell everyone that he knows who good he is.  The chorus repeats " Juice, Juice I got the juice ." Meaning he is feeling on top of the world right now. 

5.              Lost (featuring Noname Gypsy)     

One of my favorite tracks on the mixtape. With the wonderful Noname Gypsy featured on it giving it a feminine touch. A lovely balled of the relationship of a druggie and his drugs.


6.              Everybody's Something (featuring Saba & BJ the Chicago Kid)

An inspirational song telling people not to doubt themselves. You can watch the video below.




7.              Interlude (That's Love)

The interlude of the mixtape. Pretty self explanatory.

8.              Favorite Song (featuring Childish Gambino)

Yes, it is always a favorite when Chance and Gambino link up on a song. Both artist spitting clever lines over a dope beat, and have fun doing it.


9.              NaNa (featuring Action Bronson)

"Give me a Kit-Kat, Don't break me off shit". A playful song, featuring Action Bronson.


10.          Smoke Again (featuring Ab-Soul)


11.          Acid Rain        

Chance slows down and raps about his past life, friends, and the his overall view of the world.


12.          Chain Smoker       

Best song to groove to! He is a "Still a chain smoking, name dropping ,good looking, muh' fucking motha, shut your mouth "but he hopes you love him for it.

13.          Everything's Good (Good Ass Outro)   

The outro is Chance talking to his dad thanking him for all the support and his father telling him how proud of him, he is.

Chance is said to have a Surf to come out soon. If you're as impatient as I am, he has released some great songs on his soundcloud.     

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Jan 5, 2015

Royal Throne: Drink More Water by @AQueens_Crown

Drink More Water, It's good for you! 

That's exactly what I've been doing with Mick Jenkins sophomore mixtape The Water [s]. The Chicago native, dropped the tape in early August. I randomly stumbled upon his mixtape through twitter,and I'm so glad I did.

It's a well put together tape.The recurring theme being water aka the truth.  He raps about the state of mind young boys being just about " Imma get all this money...Imma f*ck yo b*tch.", and how people have lost sight of what really matters.


His slick wordplay had me replaying his songs get to catch some of things he was saying.
"They callin me conscious, a Jimminy Cricket. Unfortunate events, got me writing it like Lemony Snicket."
With this mixtape it had me thinking Chicago has a surplus of great talent coming out of there these days.  With artist like Chance the Rapper,and Noname Gypsy. Right now Mick Jenkins is opening for Method Man and Red Man for there The Smokers Club Tour.  

You can check out Jenkins mixtape here: The Water [s]

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